Trial
| Title | Duration | Price | |
|---|---|---|---|
|
1
|
Black, Brown and Beige Suite: I. Introduction (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth aac: 16bit/44.1kHz (320kbps ABR) | 06:41 | N/A |
|
1
|
Black, Brown and Beige Suite: I. Introduction (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth (320kbps ABR) | 06:41 | N/A |
|
2
|
Black, Brown and Beige Suite: II. Come Sunday (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth (320kbps ABR) | 02:39 | N/A |
|
2
|
Black, Brown and Beige Suite: II. Come Sunday (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth aac: 16bit/44.1kHz (320kbps ABR) | 02:39 | N/A |
|
3
|
Black, Brown and Beige Suite: III. Work Song (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth (320kbps ABR) | 07:51 | N/A |
|
3
|
Black, Brown and Beige Suite: III. Work Song (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth aac: 16bit/44.1kHz (320kbps ABR) | 07:51 | N/A |
|
4
|
Black, Brown and Beige Suite: IV. The Blues (Mauve) [Arr. Kennedy for Violin & Double Bass] -- Nigel KennedyAlec Dankworth (320kbps ABR) | 12:30 | N/A |
|
4
|
Black, Brown and Beige Suite: IV. The Blues (Mauve) [Arr. Kennedy for Violin & Double Bass] -- Nigel KennedyAlec Dankworth aac: 16bit/44.1kHz (320kbps ABR) | 12:30 | N/A |
|
5
|
Black, Brown and Beige Suite: V. Come Sunday (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth (320kbps ABR) | 10:13 | N/A |
|
5
|
Black, Brown and Beige Suite: V. Come Sunday (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth aac: 16bit/44.1kHz (320kbps ABR) | 10:13 | N/A |
|
6
|
Take the A Train -- Sir Simon Rattle/City of Birmingham Symphony Orchestra/Lena Horne/Clark Terry/Bobby Watson/Joshua Redman/Joe Lovano/Regina Carter/Geri Allen/Lewis Nash/Peter Washington aac: 16bit/44.1kHz (320kbps ABR) | 09:09 | N/A |
|
7
|
Sophisticated Lady -- Sir Simon RattleBobby Watson aac: 16bit/44.1kHz (320kbps ABR) | 05:16 | N/A |
|
8
|
A Tone Parallel to Harlem -- Simon Gardner/John Barclay/Mark Goodchild/Sir Simon Rattle/City of Birmingham Symphony Orchestra aac: 16bit/44.1kHz (320kbps ABR) | 14:12 | N/A |
|
9
|
Isfahan -- Peter Walden/Bobby Watson/Sir Simon Rattle/City of Birmingham Symphony Orchestra aac: 16bit/44.1kHz (320kbps ABR) | 04:51 | N/A |
|
|
Take the A Train -- Sir Simon RattleCity of Birmingham Symphony OrchestraLena Horne (320kbps ABR) | - | N/A |
|
|
Sophisticated Lady -- Sir Simon RattleBobby Watson (320kbps ABR) | - | N/A |
|
|
A Tone Parallel to Harlem -- Simon Gardner/John Barclay/Mark Goodchild/Sir Simon Rattle/City of Birmingham Symphony Orchestra (320kbps ABR) | - | N/A |
|
|
Sophisticated Lady -- Sir Simon RattleBobby Watson (320kbps ABR) | - | N/A |
|
|
Isfahan -- Peter Walden/Bobby Watson/Sir Simon Rattle/City of Birmingham Symphony Orchestra (320kbps ABR) | - | N/A |
|
|
A Tone Parallel to Harlem -- Simon Gardner/John Barclay/Mark Goodchild/Sir Simon Rattle/City of Birmingham Symphony Orchestra (320kbps ABR) | - | N/A |
|
|
Isfahan -- Peter Walden/Bobby Watson/Sir Simon Rattle/City of Birmingham Symphony Orchestra (320kbps ABR) | - | N/A |
|
|
Take the A Train -- Sir Simon Rattle/City of Birmingham Symphony Orchestra/Lena Horne/Clark Terry/Bobby Watson/Joshua Redman/Joe Lovano/Regina Carter/Geri Allen/Lewis Nash/Peter Washington (320kbps ABR) | - | N/A |
|
6
|
Take the A Train -- Sir Simon RattleCity of Birmingham Symphony OrchestraLena Horne (320kbps ABR) | 09:07 | N/A |
|
7
|
Sophisticated Lady -- Sir Simon RattleBobby Watson (320kbps ABR) | 05:12 | N/A |
|
8
|
A Tone Parallel to Harlem -- Simon Gardner/John Barclay/Mark Goodchild/Sir Simon Rattle/City of Birmingham Symphony Orchestra (320kbps ABR) | 14:10 | N/A |
|
9
|
Isfahan -- Peter Walden/Bobby Watson/Sir Simon Rattle/City of Birmingham Symphony Orchestra (320kbps ABR) | 04:50 | N/A |
|
1
|
Black, Brown and Beige Suite: I. Introduction (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth (320kbps ABR) | 06:41 | N/A |
|
2
|
Black, Brown and Beige Suite: II. Come Sunday (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth (320kbps ABR) | 02:39 | N/A |
|
3
|
Black, Brown and Beige Suite: III. Work Song (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth (320kbps ABR) | 07:51 | N/A |
|
4
|
Black, Brown and Beige Suite: IV. The Blues (Mauve) [Arr. Kennedy for Violin & Double Bass] -- Nigel KennedyAlec Dankworth (320kbps ABR) | 12:30 | N/A |
|
5
|
Black, Brown and Beige Suite: V. Come Sunday (Arr. Kennedy for Violin & Double Bass) -- Nigel KennedyAlec Dankworth (320kbps ABR) | 10:13 | N/A |
|
6
|
Take the A Train -- Sir Simon RattleCity of Birmingham Symphony OrchestraLena Horne (320kbps ABR) | 09:09 | N/A |
|
7
|
Sophisticated Lady -- Sir Simon RattleBobby Watson (320kbps ABR) | 05:16 | N/A |
|
8
|
A Tone Parallel to Harlem -- Simon Gardner/John Barclay/Mark Goodchild/Sir Simon Rattle/City of Birmingham Symphony Orchestra (320kbps ABR) | 14:12 | N/A |
|
9
|
Isfahan -- Peter Walden/Bobby Watson/Sir Simon Rattle/City of Birmingham Symphony Orchestra (320kbps ABR) | 04:51 | N/A |
Discography
ガーシュウィンの作品にインスパイアされた、ナイジェル・ケネディによる新作》 ナイジェル・ケネディによる新作は、ガーシュウィンの作品にインスパイアされて彼なりのノンジャンル・アレンジを施したもので、ドラムなどのリズム楽器なしでのアコースティックなもの。ケネディのクラブステージのデビュー14歳の時で、ジャンゴ・ラインハルトの偉大なスウィング・ヴァイオリンのパートナー、ステファン・グラッペリとの共演でした。これはケネディの人生のうち、リズミカルな大胆さを身に付けた瞬間だったといいます。このアルバムでは彼はそれを思い出し、重要さとしてガーシュウィンが当時その大胆なリズムを導入したものと同じように、このセッションに取り入れています。「ラプソディー・イン・ブルー」は、わずか2分半の曲となっていますが、時代を超越したモチーフはかすかな和音と複雑なリズムが混在されていること大切にし、ピアノのインプロヴィゼーションを行い、ジャズの曖昧さを適度に扱っています。もちろんどの曲も、全ての原曲を大切にしつつも、彼のトレードマークの速い弦の旋律も全開！ 新たなる彼の新世界は、これからも続きます！ 【収録曲】 1) Rhapsody In Claret & Blue , 2) Our Love Is Here To Stay. 3) The Man I Love, 4) Summertime, 5) Time, 6) Porgy Annat, 7) How Long Has This Been Going On, 8) Fantasy (on They Can't Take That Away From Me), 9) They Can't Take That Away From Me, 10) Lady Be Good, 【演奏】 ナイジェル・ケネディ（ヴァイオリン、ヴィオラ、ピアノ、ハモンドオルガン、チェンバロ）、 Howard Alden & Rolf “die Kobra” Bussalb (guitars) Beata Urbanek-Kalinowska (cello) Tomasz “Insomnia” Kupiec (bass) Alicja Smietana & Sonja Schebeck (violins) David Heath (flutes)
10 tracks
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