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DISC 1
1
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels  aac: 16bit/44.1kHz  (320kbps CBR) 00:45 N/A
2
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels  (320kbps CBR) - N/A
3
Tamerlano: A dispetto d'un volto ingrato -- David Daniels  aac: 16bit/44.1kHz  (320kbps CBR) 04:38 N/A
4
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels  aac: 16bit/44.1kHz  (320kbps CBR) 01:14 N/A
5
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels  aac: 16bit/44.1kHz  (320kbps CBR) 03:53 N/A
6
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin  aac: 16bit/44.1kHz  (320kbps CBR) 04:18 N/A
7
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman  aac: 16bit/44.1kHz  (320kbps CBR) 01:45 N/A
8
Come, Ye Sons of Art Away, Z.323 : III. "Sound the trumpet, sound, till around" (First Counter-Tenor, Second Counter-Tenor) -- James Bowman  aac: 16bit/44.1kHz  (320kbps CBR) 02:26 N/A
9
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman  aac: 16bit/44.1kHz  (320kbps CBR) 04:25 N/A
10
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona  aac: 16bit/44.1kHz  (320kbps CBR) 03:18 N/A
11
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq  aac: 16bit/44.1kHz  (320kbps CBR) 05:30 N/A
12
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne  aac: 16bit/44.1kHz  (320kbps CBR) 05:21 N/A
13
If women could be fair -- Michael Chance  aac: 16bit/44.1kHz  (320kbps CBR) 03:29 N/A
14
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras  aac: 16bit/44.1kHz  (320kbps CBR) 03:21 N/A
15
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps CBR) 05:42 N/A
16
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields  aac: 16bit/44.1kHz  (320kbps CBR) 03:46 N/A
17
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap  aac: 16bit/44.1kHz  (320kbps CBR) 00:27 N/A
18
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap  aac: 16bit/44.1kHz  (320kbps CBR) 05:14 N/A
19
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps CBR) 04:15 N/A
20
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam  aac: 16bit/44.1kHz  (320kbps CBR) 02:24 N/A
DISC 2
1
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl  aac: 16bit/44.1kHz  (320kbps CBR) 06:39 N/A
2
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens  aac: 16bit/44.1kHz  (320kbps CBR) 02:08 N/A
3
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett  aac: 16bit/44.1kHz  (320kbps CBR) 04:26 N/A
4
Mass in B Minor, BWV 232: Agnus Dei -- Charles Brett  aac: 16bit/44.1kHz  (320kbps CBR) 05:27 N/A
5
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe  aac: 16bit/44.1kHz  (320kbps CBR) 05:42 N/A
6
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken  aac: 16bit/44.1kHz  (320kbps CBR) 03:16 N/A
7
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde  aac: 16bit/44.1kHz  (320kbps CBR) 07:12 N/A
8
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde  aac: 16bit/44.1kHz  (320kbps CBR) 04:33 N/A
9
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger  aac: 16bit/44.1kHz  (320kbps CBR) 03:34 N/A
10
Saul: Your works, oh king -- Sir Philip Ledger  aac: 16bit/44.1kHz  (320kbps CBR) 01:17 N/A
11
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott  aac: 16bit/44.1kHz  (320kbps CBR) 03:56 N/A
12
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon  aac: 16bit/44.1kHz  (320kbps CBR) 06:45 N/A
13
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne  aac: 16bit/44.1kHz  (320kbps CBR) 04:44 N/A
14
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance  aac: 16bit/44.1kHz  (320kbps CBR) 01:03 N/A
15
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance  aac: 16bit/44.1kHz  (320kbps CBR) 05:08 N/A
16
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire  aac: 16bit/44.1kHz  (320kbps CBR) 02:45 N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Tamerlano: A dispetto d'un volto ingrato -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z.323 : III. "Sound the trumpet, sound, till around" (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona - N/A
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
If women could be fair -- Michael Chance - N/A
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras - N/A
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis - N/A
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis - N/A
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam - N/A
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl - N/A
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: No. 26, Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken - N/A
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Saul: Your works, oh king -- Sir Philip Ledger - N/A
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott - N/A
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon - N/A
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne - N/A
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire - N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Tamerlano: A dispetto d'un volto ingrato -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z.323 : III. Sound the trumpet, sound, till around (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona - N/A
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
If women could be fair -- Michael Chance - N/A
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras - N/A
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis - N/A
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis - N/A
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam - N/A
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl - N/A
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken - N/A
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Saul: Your works, oh king -- Sir Philip Ledger - N/A
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott - N/A
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon - N/A
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne - N/A
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire - N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z.323: III. Sound the trumpet, sound, till around (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Tamerlano: A dispetto d'un volto ingrato -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z. 323: III. Sound the trumpet, sound, till around (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona - N/A
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
If women could be fair -- Michael Chance - N/A
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras - N/A
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis - N/A
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis - N/A
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam - N/A
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl - N/A
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken - N/A
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Saul: Your works, oh king -- Sir Philip Ledger - N/A
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott - N/A
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon - N/A
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne - N/A
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire - N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Tamerlano: A dispetto d'un volto ingrato -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona - N/A
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
If women could be fair -- Michael Chance - N/A
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras - N/A
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis - N/A
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis - N/A
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam - N/A
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl - N/A
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken - N/A
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Saul: Your works, oh king -- Sir Philip Ledger - N/A
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott - N/A
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon - N/A
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne - N/A
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire - N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Tamerlano: A dispetto d'un volto ingrato -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona - N/A
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
If women could be fair -- Michael Chance - N/A
Julius Caesar: Deep within my bosom burning -- London Symphony Orchestra/Sir Charles Mackerras - N/A
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis - N/A
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis - N/A
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam - N/A
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl - N/A
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken - N/A
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Saul: Your works, oh king -- Sir Philip Ledger - N/A
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott - N/A
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon - N/A
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne - N/A
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire - N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Tamerlano: A dispetto d'un volto ingrato -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona - N/A
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
If women could be fair -- Michael Chance - N/A
Julius Caesar: Deep within my bosom burning -- London Symphony Orchestra/Sir Charles Mackerras - N/A
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis - N/A
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis - N/A
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam - N/A
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl - N/A
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken - N/A
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Saul: Your works, oh king -- Sir Philip Ledger - N/A
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott - N/A
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon - N/A
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne - N/A
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire - N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Tamerlano: A dispetto d'un volto ingrato -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
If women could be fair -- Michael Chance - N/A
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis - N/A
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Tamerlano: A dispetto d'un volto ingrato -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona - N/A
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
If women could be fair -- Michael Chance - N/A
Julius Caesar: Deep within my bosom burning -- London Symphony Orchestra/Sir Charles Mackerras - N/A
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis - N/A
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis - N/A
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam - N/A
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl - N/A
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken - N/A
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Saul: Your works, oh king -- Sir Philip Ledger - N/A
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott - N/A
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon - N/A
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne - N/A
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire - N/A
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels - N/A
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels - N/A
Tamerlano: A dispetto d'un volto ingrato -- David Daniels - N/A
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels - N/A
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels - N/A
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman - N/A
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James Bowman - N/A
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman - N/A
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona - N/A
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq - N/A
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne - N/A
If women could be fair -- Michael Chance - N/A
Julius Caesar: Deep within my bosom burning -- London Symphony Orchestra/Sir Charles Mackerras - N/A
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis - N/A
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap - N/A
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis - N/A
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam - N/A
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl - N/A
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique Gens - N/A
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett - N/A
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett - N/A
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe - N/A
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken - N/A
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde - N/A
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger - N/A
Saul: Your works, oh king -- Sir Philip Ledger - N/A
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott - N/A
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon - N/A
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne - N/A
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance - N/A
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire - N/A
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