Trial
| Title | Duration | Price | |
|---|---|---|---|
| DISC 1 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels aac: 16bit/44.1kHz (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels aac: -1bit/0kHz (320kbps ABR) | - | N/A |
|
3
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels aac: 16bit/44.1kHz (320kbps ABR) | 04:38 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels aac: 16bit/44.1kHz (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels aac: 16bit/44.1kHz (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin aac: 16bit/44.1kHz (320kbps ABR) | 04:18 | N/A |
|
7
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman aac: 16bit/44.1kHz (320kbps ABR) | 01:45 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z.323 : III. "Sound the trumpet, sound, till around" (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson aac: 16bit/44.1kHz (320kbps ABR) | 02:26 | N/A |
|
9
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman aac: 16bit/44.1kHz (320kbps ABR) | 04:25 | N/A |
|
10
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona aac: 16bit/44.1kHz (320kbps ABR) | 03:18 | N/A |
|
11
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq aac: 16bit/44.1kHz (320kbps ABR) | 05:30 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne aac: 16bit/44.1kHz (320kbps ABR) | 05:21 | N/A |
|
13
|
If women could be fair -- Michael Chance aac: 16bit/44.1kHz (320kbps ABR) | 03:29 | N/A |
|
14
|
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras aac: 16bit/44.1kHz (320kbps ABR) | 03:21 | N/A |
|
15
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis aac: 16bit/44.1kHz (320kbps ABR) | 05:42 | N/A |
|
16
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields aac: 16bit/44.1kHz (320kbps ABR) | 03:46 | N/A |
|
17
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap aac: 16bit/44.1kHz (320kbps ABR) | 00:27 | N/A |
|
18
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap aac: 16bit/44.1kHz (320kbps ABR) | 05:14 | N/A |
|
19
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis aac: 16bit/44.1kHz (320kbps ABR) | 04:15 | N/A |
|
20
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam aac: 16bit/44.1kHz (320kbps ABR) | 02:24 | N/A |
| DISC 2 | |||
|
1
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl aac: 16bit/44.1kHz (320kbps ABR) | 06:39 | N/A |
|
2
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale aac: 16bit/44.1kHz (320kbps ABR) | 02:08 | N/A |
|
3
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels/Orchestra of the Age of Enlightenment/Sir Roger Norrington (320kbps ABR) | 04:34 | N/A |
|
3
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett aac: 16bit/44.1kHz (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Charles Brett aac: 16bit/44.1kHz (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe aac: 16bit/44.1kHz (320kbps ABR) | 05:42 | N/A |
|
6
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken aac: 16bit/44.1kHz (320kbps ABR) | 03:16 | N/A |
|
7
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde aac: 16bit/44.1kHz (320kbps ABR) | 07:12 | N/A |
|
7
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt (320kbps ABR) | 01:46 | N/A |
|
8
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde aac: 16bit/44.1kHz (320kbps ABR) | 04:33 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger aac: 16bit/44.1kHz (320kbps ABR) | 03:34 | N/A |
|
9
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt (320kbps ABR) | 04:25 | N/A |
|
10
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | 03:14 | N/A |
|
10
|
Saul: Your works, oh king -- Sir Philip Ledger aac: 16bit/44.1kHz (320kbps ABR) | 01:17 | N/A |
|
11
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott aac: 16bit/44.1kHz (320kbps ABR) | 03:56 | N/A |
|
11
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | 05:24 | N/A |
|
12
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon aac: 16bit/44.1kHz (320kbps ABR) | 06:45 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne aac: 16bit/44.1kHz (320kbps ABR) | 04:44 | N/A |
|
14
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance aac: 16bit/44.1kHz (320kbps ABR) | 01:03 | N/A |
|
14
|
Julius Caesar: Deep within my bosom burning -- Sir Charles Mackerras (320kbps ABR) | 03:19 | N/A |
|
15
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance aac: 16bit/44.1kHz (320kbps ABR) | 05:08 | N/A |
|
15
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | 05:42 | N/A |
|
16
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | 03:43 | N/A |
|
16
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire aac: 16bit/44.1kHz (320kbps ABR) | 02:45 | N/A |
|
20
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | 02:20 | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | - | N/A |
|
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
If women could be fair -- Michael Chance (320kbps ABR) | - | N/A |
|
|
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras (320kbps ABR) | - | N/A |
|
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | - | N/A |
|
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | - | N/A |
|
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken (320kbps ABR) | - | N/A |
|
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Saul: Your works, oh king -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott (320kbps ABR) | - | N/A |
|
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | - | N/A |
|
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z.323: III. Sound the trumpet, sound, till around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the trumpet, sound, till around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | - | N/A |
|
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
If women could be fair -- Michael Chance (320kbps ABR) | - | N/A |
|
|
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras (320kbps ABR) | - | N/A |
|
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | - | N/A |
|
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | - | N/A |
|
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken (320kbps ABR) | - | N/A |
|
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Saul: Your works, oh king -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott (320kbps ABR) | - | N/A |
|
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | - | N/A |
|
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | - | N/A |
|
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
If women could be fair -- Michael Chance (320kbps ABR) | - | N/A |
|
|
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras (320kbps ABR) | - | N/A |
|
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | - | N/A |
|
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | - | N/A |
|
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken (320kbps ABR) | - | N/A |
|
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Saul: Your works, oh king -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott (320kbps ABR) | - | N/A |
|
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | - | N/A |
|
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | - | N/A |
|
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
If women could be fair -- Michael Chance (320kbps ABR) | - | N/A |
|
|
Julius Caesar: Deep within my bosom burning -- London Symphony Orchestra/Sir Charles Mackerras (320kbps ABR) | - | N/A |
|
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | - | N/A |
|
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | - | N/A |
|
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken (320kbps ABR) | - | N/A |
|
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Saul: Your works, oh king -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott (320kbps ABR) | - | N/A |
|
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | - | N/A |
|
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | - | N/A |
|
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
If women could be fair -- Michael Chance (320kbps ABR) | - | N/A |
|
|
Julius Caesar: Deep within my bosom burning -- London Symphony Orchestra/Sir Charles Mackerras (320kbps ABR) | - | N/A |
|
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | - | N/A |
|
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | - | N/A |
|
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken (320kbps ABR) | - | N/A |
|
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Saul: Your works, oh king -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott (320kbps ABR) | - | N/A |
|
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | - | N/A |
|
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
If women could be fair -- Michael Chance (320kbps ABR) | - | N/A |
|
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | - | N/A |
|
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
If women could be fair -- Michael Chance (320kbps ABR) | - | N/A |
|
|
Julius Caesar: Deep within my bosom burning -- London Symphony Orchestra/Sir Charles Mackerras (320kbps ABR) | - | N/A |
|
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | - | N/A |
|
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | - | N/A |
|
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken (320kbps ABR) | - | N/A |
|
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Saul: Your works, oh king -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott (320kbps ABR) | - | N/A |
|
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | - | N/A |
|
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
If women could be fair -- Michael Chance (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z.323 : III. "Sound the trumpet, sound, till around" (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | - | N/A |
|
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | - | N/A |
|
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
If women could be fair -- Michael Chance (320kbps ABR) | - | N/A |
|
|
Julius Caesar: Deep within my bosom burning -- Montserrat Caballé/London Symphony Orchestra/Sir Charles Mackerras (320kbps ABR) | - | N/A |
|
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Kool G. Rap (320kbps ABR) | - | N/A |
|
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | - | N/A |
|
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | - | N/A |
|
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | - | N/A |
|
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: No. 26, Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Part 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken (320kbps ABR) | - | N/A |
|
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Saul: Your works, oh king -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott (320kbps ABR) | - | N/A |
|
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | - | N/A |
|
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | - | N/A |
|
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire (320kbps ABR) | - | N/A |
|
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels (320kbps ABR) | - | N/A |
|
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels (320kbps ABR) | - | N/A |
|
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | - | N/A |
|
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | - | N/A |
|
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- James Bowman (320kbps ABR) | - | N/A |
|
|
Come, Ye Sons of Art Away, Z.323 : III. Sound the trumpet, sound, till around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | - | N/A |
| DISC 3 | |||
|
1
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | 06:38 | N/A |
|
3
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett/Orchestra of Collegium Vocale, Ghent/Philippe Herreweghe (320kbps ABR) | 04:27 | N/A |
|
8
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | 04:31 | N/A |
|
10
|
Saul: Your works, oh king -- Paul Esswood/English Chamber Orchestra/Sir Philip Ledger (320kbps ABR) | 01:13 | N/A |
|
11
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Timothy Wilson/Taverner Players/Andrew Parrott (320kbps ABR) | 03:54 | N/A |
|
12
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | 06:43 | N/A |
|
14
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | 01:03 | N/A |
|
15
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | 05:06 | N/A |
|
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Jean-Claude Malgoire (320kbps ABR) | - | N/A |
|
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | - | N/A |
|
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | - | N/A |
|
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | - | N/A |
|
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Sigiswald Kuijken (320kbps ABR) | - | N/A |
|
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | - | N/A |
|
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | - | N/A |
|
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | - | N/A |
| DISC 4 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels/Orchestra of the Age of Enlightenment/Sir Roger Norrington (320kbps ABR) | 00:44 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | 03:05 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | 04:15 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | 02:28 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne/Il Seminario Musicale (320kbps ABR) | 05:15 | N/A |
|
13
|
If women could be fair -- Michael Chance/Christopher Wilson (320kbps ABR) | 03:26 | N/A |
|
17
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer (320kbps ABR) | 00:27 | N/A |
|
18
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer (320kbps ABR) | 05:14 | N/A |
|
19
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | 04:15 | N/A |
| DISC 5 | |||
|
2
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:11 | N/A |
|
4
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | 05:39 | N/A |
|
6
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Greta de Reyghere/René Jacobs/Christoph Prégardien/Peter Lika/Nederlands Kamerkoor/La Petite Bande/Sigiswald Kuijken (320kbps ABR) | 03:13 | N/A |
|
7
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | 07:12 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:31 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | 04:44 | N/A |
|
16
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire (320kbps ABR) | 02:41 | N/A |
| DISC 6 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels/Orchestra of the Age of Enlightenment/Sir Roger Norrington (320kbps ABR) | 00:44 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | 03:05 | N/A |
|
3
|
Tamerlano: A dispetto d'un volto ingrato -- David Daniels/Orchestra of the Age of Enlightenment/Sir Roger Norrington (320kbps ABR) | 04:34 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | 04:15 | N/A |
|
7
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt (320kbps ABR) | 01:46 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | 02:28 | N/A |
|
9
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt (320kbps ABR) | 04:25 | N/A |
|
10
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | 03:14 | N/A |
|
11
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | 05:24 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard Lesne/Il Seminario Musicale (320kbps ABR) | 05:15 | N/A |
|
13
|
If women could be fair -- Michael Chance/Christopher Wilson (320kbps ABR) | 03:26 | N/A |
|
14
|
Julius Caesar: Deep within my bosom burning -- Sir Charles Mackerras (320kbps ABR) | 03:19 | N/A |
|
15
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | 05:42 | N/A |
|
16
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | 03:43 | N/A |
|
17
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer (320kbps ABR) | 00:27 | N/A |
|
18
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer (320kbps ABR) | 05:14 | N/A |
|
19
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | 04:15 | N/A |
|
20
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | 02:20 | N/A |
| DISC 7 | |||
|
1
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | 06:38 | N/A |
|
2
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:11 | N/A |
|
3
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles Brett/Orchestra of Collegium Vocale, Ghent/Philippe Herreweghe (320kbps ABR) | 04:27 | N/A |
|
4
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | 05:39 | N/A |
|
6
|
Magnificat in D Major, BWV 243: No. 9, Aria, "Esurientes" (Alto) -- Greta de Reyghere/René Jacobs/Christoph Prégardien/Peter Lika/Nederlands Kamerkoor/La Petite Bande/Sigiswald Kuijken (320kbps ABR) | 03:13 | N/A |
|
7
|
Cantata "Vergnügte Ruh, beliebte Seelenlust", BWV 170: No. 5, Aria, "Mir ekelt mehr zu leben" (Alto) -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | 07:12 | N/A |
|
8
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | 04:31 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:31 | N/A |
|
10
|
Saul: Your works, oh king -- Paul Esswood/English Chamber Orchestra/Sir Philip Ledger (320kbps ABR) | 01:13 | N/A |
|
11
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Timothy Wilson/Taverner Players/Andrew Parrott (320kbps ABR) | 03:54 | N/A |
|
12
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | 06:43 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | 04:44 | N/A |
|
14
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | 01:03 | N/A |
|
15
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | 05:06 | N/A |
|
16
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire (320kbps ABR) | 02:41 | N/A |
| DISC 8 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David Daniels/Orchestra of the Age of Enlightenment/Sir Roger Norrington (320kbps ABR) | 00:44 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David Daniels (320kbps ABR) | 03:05 | N/A |
|
6
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | 04:15 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | 02:28 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:15 | N/A |
| DISC 9 | |||
|
4
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles Brett (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | 05:39 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:31 | N/A |
| DISC 10 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:44 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:05 | N/A |
|
3
|
Tamerlano: A dispetto d'un volto ingrato -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 04:34 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | 04:15 | N/A |
|
7
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt (320kbps ABR) | 01:46 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | 02:28 | N/A |
|
9
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt (320kbps ABR) | 04:25 | N/A |
|
10
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- Gérard Lesne/Steve Dugardin/La Canzona (320kbps ABR) | 03:14 | N/A |
|
11
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- Gérard Lesne/Steve Dugardin/Pierre Hamon/Sébastien Marq (320kbps ABR) | 05:24 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:15 | N/A |
|
13
|
If women could be fair -- Michael Chance/Christopher Wilson (320kbps ABR) | 03:26 | N/A |
|
14
|
Julius Caesar: Deep within my bosom burning -- Sir Charles Mackerras (320kbps ABR) | 03:19 | N/A |
|
15
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | 05:42 | N/A |
|
16
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields (320kbps ABR) | 03:43 | N/A |
|
17
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer (320kbps ABR) | 00:27 | N/A |
|
18
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer (320kbps ABR) | 05:14 | N/A |
|
19
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis (320kbps ABR) | 04:15 | N/A |
|
20
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam (320kbps ABR) | 02:20 | N/A |
| DISC 11 | |||
|
1
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl (320kbps ABR) | 06:38 | N/A |
|
2
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:11 | N/A |
|
3
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 04:27 | N/A |
|
4
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | 05:39 | N/A |
|
6
|
Magnificat in D Major, BWV 243: IX. Esurientes implevit bonis -- Greta de Reyghere/René Jacobs/Christoph Prégardien/Peter Lika/Nederlands Kamerkoor/La Petite Bande/Sigiswald Kuijken (320kbps ABR) | 03:13 | N/A |
|
7
|
Cantata, Vergnügte Ruh, beliebte Seelenlust, BWV 170: "Mir ekelt mehr zu leben" -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | 07:12 | N/A |
|
8
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde (320kbps ABR) | 04:31 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:31 | N/A |
|
10
|
Saul: Your works, oh king -- Paul Esswood/English Chamber Orchestra/Sir Philip Ledger (320kbps ABR) | 01:13 | N/A |
|
11
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Timothy Wilson/Taverner Players/Andrew Parrott (320kbps ABR) | 03:54 | N/A |
|
12
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon (320kbps ABR) | 06:43 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard Lesne (320kbps ABR) | 04:44 | N/A |
|
14
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | 01:03 | N/A |
|
15
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard Lesne/Il Seminario Musicale/Michael Chance (320kbps ABR) | 05:06 | N/A |
|
16
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire (320kbps ABR) | 02:41 | N/A |
| DISC 12 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:44 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:05 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | 04:15 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | 02:28 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:15 | N/A |
| DISC 13 | |||
|
4
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | 05:39 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:31 | N/A |
| DISC 14 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington aac: 16bit/44.1kHz (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington aac: 16bit/44.1kHz (320kbps ABR) | 03:08 | N/A |
|
3
|
Tamerlano: A dispetto d'un volto ingrato -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington aac: 16bit/44.1kHz (320kbps ABR) | 04:38 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels aac: 16bit/44.1kHz (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels aac: 16bit/44.1kHz (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684: Recitativo, "Cessate, omai cessate" (Largo e sciolto) - Aria, "Ah, ch'infelice sempre" (Larghetto) - "Per me non v'è ristoro" (Andante molto) - "À voi dunque, ricorro orridi specchi" (Andante) - "Nell'orrido a -- Stephen Stubbs/Derek Lee Ragin aac: 16bit/44.1kHz (320kbps ABR) | 04:18 | N/A |
|
7
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt aac: 16bit/44.1kHz (320kbps ABR) | 01:45 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson aac: 16bit/44.1kHz (320kbps ABR) | 02:26 | N/A |
|
9
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt aac: 16bit/44.1kHz (320kbps ABR) | 04:25 | N/A |
|
10
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- aac: 16bit/44.1kHz (320kbps ABR) | 03:18 | N/A |
|
11
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- aac: 16bit/44.1kHz (320kbps ABR) | 05:30 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale aac: 16bit/44.1kHz (320kbps ABR) | 05:21 | N/A |
|
13
|
If women could be fair -- Michael Chance/Christopher Wilson aac: 16bit/44.1kHz (320kbps ABR) | 03:29 | N/A |
|
14
|
Julius Caesar: Deep within my bosom burning -- Sir Charles Mackerras aac: 16bit/44.1kHz (320kbps ABR) | 03:21 | N/A |
|
15
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis aac: 16bit/44.1kHz (320kbps ABR) | 05:42 | N/A |
|
16
|
The Choice of Hercules: Yet I can hear that dulcet lay -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields aac: 16bit/44.1kHz (320kbps ABR) | 03:46 | N/A |
|
17
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Recitativo: Sì, l'infida consorte (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer aac: 16bit/44.1kHz (320kbps ABR) | 00:27 | N/A |
|
18
|
Rodelinda, Regina dei Longobardi, ACT I, Scene 10: Aria: Confusa si miri l'infida consorte (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer aac: 16bit/44.1kHz (320kbps ABR) | 05:14 | N/A |
|
19
|
Arminio, ACT II: Con quel sangue dipinta vedrai -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis aac: 16bit/44.1kHz (320kbps ABR) | 04:15 | N/A |
|
20
|
The Fairy Queen Z629 (1994 Remastered Version): Hark, how all things with one sound rejoice -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam aac: 16bit/44.1kHz (320kbps ABR) | 02:24 | N/A |
| DISC 15 | |||
|
1
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl aac: 16bit/44.1kHz (320kbps ABR) | 06:39 | N/A |
|
2
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale aac: 16bit/44.1kHz (320kbps ABR) | 02:08 | N/A |
|
3
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe aac: 16bit/44.1kHz (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe aac: 16bit/44.1kHz (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe aac: 16bit/44.1kHz (320kbps ABR) | 05:42 | N/A |
|
6
|
Magnificat in D Major, BWV 243: IX. Esurientes implevit bonis -- Greta de Reyghere/René Jacobs/Christoph Prégardien/Peter Lika/Nederlands Kamerkoor/La Petite Bande/Sigiswald Kuijken aac: 16bit/44.1kHz (320kbps ABR) | 03:16 | N/A |
|
7
|
Cantata, Vergnügte Ruh, beliebte Seelenlust, BWV 170: "Mir ekelt mehr zu leben" -- René Jacobs/Linde Consort/Hans-Martin Linde aac: 16bit/44.1kHz (320kbps ABR) | 07:12 | N/A |
|
8
|
Cantata No. 177, ' Ich ruf zu dir, Herr Jesu Christ': Aria: Ich bitt noch mehr, o Herre Gott -- René Jacobs/Linde Consort/Hans-Martin Linde aac: 16bit/44.1kHz (320kbps ABR) | 04:33 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger aac: 16bit/44.1kHz (320kbps ABR) | 03:34 | N/A |
|
10
|
Saul: Your works, oh king -- Paul Esswood/English Chamber Orchestra/Sir Philip Ledger aac: 16bit/44.1kHz (320kbps ABR) | 01:17 | N/A |
|
11
|
Israel in Egypt, HWV 54, Pt. 2: No. 26, Aria, "Thou shalt bring them in and plant them" (Alto) -- Timothy Wilson/Taverner Players/Andrew Parrott aac: 16bit/44.1kHz (320kbps ABR) | 03:56 | N/A |
|
12
|
He was despised (alto) from Messiah HWV56 (1994 Remastered Version) -- Alfred Deller/Philharmonia Orchestra/George Weldon aac: 16bit/44.1kHz (320kbps ABR) | 06:45 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- aac: 16bit/44.1kHz (320kbps ABR) | 04:44 | N/A |
|
14
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- aac: 16bit/44.1kHz (320kbps ABR) | 01:03 | N/A |
|
15
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- aac: 16bit/44.1kHz (320kbps ABR) | 05:08 | N/A |
|
16
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire aac: 16bit/44.1kHz (320kbps ABR) | 02:45 | N/A |
| DISC 16 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:44 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:05 | N/A |
|
3
|
Tamerlano: A dispetto d'un volto ingrato -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 04:34 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | 04:15 | N/A |
|
7
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 2, Ritornello "Come ye Sons of Art" (First Counter-Tenor, Chorus) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt aac: 16bit/44.1kHz (320kbps ABR) | 01:45 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | 02:28 | N/A |
|
9
|
Ode for Queen Mary's Birthday (Come Ye Sons of Art), Z. 323: No. 5, Ritornello "Strike the viol, touch the lute" (First Counter-Tenor) -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt aac: 16bit/44.1kHz (320kbps ABR) | 04:25 | N/A |
|
10
|
Sweetness of nature (countertenors I & II) from Love's goddess sure: Birthday ode for Queen Mary, 1692 -- (320kbps ABR) | 03:14 | N/A |
|
11
|
In vain the am'rous flute from St Cecilia's Day Ode, 'Hail, bright Cecilia' Z328 -- (320kbps ABR) | 05:24 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:15 | N/A |
|
13
|
If women could be fair -- Michael Chance/Christopher Wilson aac: 16bit/44.1kHz (320kbps ABR) | 03:29 | N/A |
|
14
|
Julius Caesar: Deep within my bosom burning -- Sir Charles Mackerras aac: 16bit/44.1kHz (320kbps ABR) | 03:21 | N/A |
|
15
|
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | 05:42 | N/A |
|
16
|
The Choice of Hercules, HWV 69: Air. "Yet can I hear that dulcet lay" (Hercules) -- James Bowman/Sir Philip Ledger/Academy of St Martin-in-the-Fields aac: 16bit/44.1kHz (320kbps ABR) | 03:46 | N/A |
|
17
|
Rodelinda, HWV 19, Act 1, Scene 10: Recitativo. "Sì, l'infida consorte" (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer aac: 16bit/44.1kHz (320kbps ABR) | 00:27 | N/A |
|
18
|
Rodelinda, HWV 19, Act 1, Scene 10: Aria. "Confusa si miri l'infida consorte" (Bertarido) -- Sophie Daneman/Daniel Taylor/Adrian Thompson/Catherine Robbin/Robin Blaze/Christopher Purves/Raglan Baroque Players/Nicholas Kraemer aac: 16bit/44.1kHz (320kbps ABR) | 05:14 | N/A |
|
19
|
Arminio, HWV 36, Act 2: Aria. "Con quel sangue dipinta vedrai forriera" (Tullio) -- Vivica Genaux/Geraldine McGreevy/Dominique Labelle/Manuela Custer/Luigi Petroni/Sytse Buwalda/Riccardo Ristori/Il Complesso Barocco/Alan Curtis aac: 16bit/44.1kHz (320kbps ABR) | 04:15 | N/A |
|
20
|
The Fairy Queen, Z. 629, Act V: Song. "Hark! How All Things" -- Alfred Deller/String Orchestra/Terence Weil/Basil Lam aac: 16bit/44.1kHz (320kbps ABR) | 02:24 | N/A |
| DISC 17 | |||
|
1
|
St Matthew Passion BWV244, PART 2: No. 47, Arie: Erbarme dich, mein Gott (Alt) -- Philippe Herreweghe/Andreas Scholl aac: 16bit/44.1kHz (320kbps ABR) | 06:39 | N/A |
|
2
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:11 | N/A |
|
3
|
Mass in B Minor, BWV 232, Missa: Qui sedes ad dextram Patris (alto) -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 04:27 | N/A |
|
4
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | 05:39 | N/A |
|
6
|
Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis" -- Greta de Reyghere/René Jacobs/Christoph Prégardien/Peter Lika/Nederlands Kamerkoor/La Petite Bande/Sigiswald Kuijken aac: 16bit/44.1kHz (320kbps ABR) | 03:16 | N/A |
|
7
|
Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 5, Aria. "Mir ekelt mehr zu leben" -- René Jacobs/Linde Consort/Hans-Martin Linde aac: 16bit/44.1kHz (320kbps ABR) | 07:12 | N/A |
|
8
|
Ich ruf zu dir, Herr Jesu Christ, BWV 177: No. 2, Aria. "Ich bitt noch mehr, o Herre Gott" -- René JacobsLinde ConsortHans-Martin Linde aac: 16bit/44.1kHz (320kbps ABR) | 04:33 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:31 | N/A |
|
10
|
Saul, HWV 53, Act 2, Scene 4: Aria. "Your Words, Oh King" (David) -- Paul EsswoodEnglish Chamber OrchestraSir Philip Ledger aac: 16bit/44.1kHz (320kbps ABR) | 01:17 | N/A |
|
11
|
Israel in Egypt, HWV 54, Pt. 3: Air. "Thou shalt bring them in" -- Timothy Wilson/Taverner Players/Andrew Parrott aac: 16bit/44.1kHz (320kbps ABR) | 03:56 | N/A |
|
12
|
Messiah, HWV 56, Pt. 2, Scene 1: Aria. "He Was Despised and Rejected of Men" -- Alfred Deller/Philharmonia Orchestra/George Weldon aac: 16bit/44.1kHz (320kbps ABR) | 06:45 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- (320kbps ABR) | 04:44 | N/A |
|
14
|
I Pellegrini al Sepolcro di Nostro Signore: Compagni, eccoci giunti -- Gérard LesneIl Seminario MusicaleMichael Chance aac: 16bit/44.1kHz (320kbps ABR) | 01:03 | N/A |
|
15
|
I Pellegrini al Sepolcro di Nostro Signore: Cita misera il tuo stato -- Gérard LesneIl Seminario MusicaleMichael Chance aac: 16bit/44.1kHz (320kbps ABR) | 05:08 | N/A |
|
16
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire (320kbps ABR) | 02:41 | N/A |
| DISC 18 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:44 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:05 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen Stubbs/Derek Lee Ragin (320kbps ABR) | 04:15 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | 02:28 | N/A |
|
10
|
Love's Goddess Sure, Z. 331 "Ode for Queen Mary's Birthday": No. 4, Duet."Sweetness of Nature and True Wit" -- Gérard LesneSteve DugardinLa CanzonaElisabeth Joyé aac: 16bit/44.1kHz (320kbps ABR) | 03:18 | N/A |
|
11
|
Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Duet. "In Vain the Am'rous Flute" -- Gérard LesneSteve DugardinPierre HamonSébastien Marq aac: 16bit/44.1kHz (320kbps ABR) | 05:30 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:15 | N/A |
| DISC 19 | |||
|
2
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:11 | N/A |
|
4
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | 05:39 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:31 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Part 2: "Caldo sangue" (Ismaele) -- Gérard LesneVirginie PochonPhilippe JarousskyPeter Harvey (320kbps ABR) | 04:44 | N/A |
| DISC 20 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:44 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:05 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen StubbsDerek Lee Ragin (320kbps ABR) | 04:15 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson (320kbps ABR) | 02:28 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:15 | N/A |
| DISC 21 | |||
|
4
|
Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto) -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: IV. Bereite dich, Zion, mit zärtlichen Trieben (Alto) -- Philippe Herreweghe (320kbps ABR) | 05:39 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:31 | N/A |
| DISC 22 | |||
|
1
|
Xerxes - Frondi tenere ... Ombra mai fù: Recitativo: Frondi tenere -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington aac: 16bit/44.1kHz (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington aac: 16bit/44.1kHz (320kbps ABR) | 03:08 | N/A |
|
3
|
Tamerlano: A dispetto d'un volto ingrato -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington aac: 16bit/44.1kHz (320kbps ABR) | 04:38 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels aac: 16bit/44.1kHz (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels aac: 16bit/44.1kHz (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen StubbsDerek Lee Ragin aac: 16bit/44.1kHz (320kbps ABR) | 04:18 | N/A |
|
8
|
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) -- James BowmanChristopher Robson aac: 16bit/44.1kHz (320kbps ABR) | 02:26 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale aac: 16bit/44.1kHz (320kbps ABR) | 05:21 | N/A |
|
15
|
Admeto, HWV 22, Act 2: Aria. "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis aac: 16bit/44.1kHz (320kbps ABR) | 05:42 | N/A |
| DISC 23 | |||
|
2
|
Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) -- Véronique GensGérard LesneIl Seminario Musicale aac: 16bit/44.1kHz (320kbps ABR) | 02:08 | N/A |
|
3
|
Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe aac: 16bit/44.1kHz (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe aac: 16bit/44.1kHz (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe Herreweghe aac: 16bit/44.1kHz (320kbps ABR) | 05:42 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger aac: 16bit/44.1kHz (320kbps ABR) | 03:34 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Pt. 2: No. 42, Aria. "Caldo sangue" (Ismaele) -- Gérard LesneVirginie PochonPhilippe JarousskyPeter Harvey aac: 16bit/44.1kHz (320kbps ABR) | 04:44 | N/A |
|
16
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire aac: 16bit/44.1kHz (320kbps ABR) | 02:45 | N/A |
| DISC 24 | |||
|
2
|
Serse, HWV 40, Act 1: "Ombra mai fu" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
7
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away" -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt (320kbps ABR) | 01:45 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- James BowmanChristopher Robson (320kbps ABR) | 02:26 | N/A |
|
9
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt (320kbps ABR) | 04:25 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
| DISC 25 | |||
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe Herreweghe (320kbps ABR) | 05:42 | N/A |
|
9
|
Saul, HWV 53, Act 1: "O Lord, whose mercies numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:34 | N/A |
| DISC 26 | |||
|
1
|
Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
3
|
Tamerlano, HWV 18, Act 3: Aria. "A dispetto d'un volto ingrato" (Andronico) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 04:38 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen StubbsDerek Lee Ragin (320kbps ABR) | 04:18 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- James BowmanChristopher Robson (320kbps ABR) | 02:26 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
| DISC 27 | |||
|
2
|
Stabat Mater: VII. Eia Mater -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:08 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe Herreweghe (320kbps ABR) | 05:42 | N/A |
|
7
|
Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 5, Aria. "Mir ekelt mehr zu leben" -- René JacobsLinde Consort (320kbps ABR) | 07:12 | N/A |
|
9
|
Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:34 | N/A |
| DISC 28 | |||
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- James BowmanChristopher Robson (320kbps ABR) | 02:26 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
| DISC 29 | |||
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe Herreweghe (320kbps ABR) | 05:42 | N/A |
|
7
|
Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 5, Aria. "Mir ekelt mehr zu leben" -- René JacobsLinde ConsortHans-Martin Linde (320kbps ABR) | 07:12 | N/A |
|
9
|
Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:34 | N/A |
| DISC 30 | |||
|
2
|
Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- James BowmanChristopher Robson (320kbps ABR) | 02:26 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
| DISC 31 | |||
|
2
|
Stabat Mater: VII. Eia Mater -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:08 | N/A |
|
3
|
Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale, Gent (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe Herreweghe (320kbps ABR) | 05:42 | N/A |
|
7
|
Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 5, Aria. "Mir ekelt mehr zu leben" -- René JacobsLinde ConsortHans-Martin Linde (320kbps ABR) | 07:12 | N/A |
|
9
|
Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:34 | N/A |
| DISC 32 | |||
|
2
|
Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen StubbsDerek Lee Ragin (320kbps ABR) | 04:18 | N/A |
|
7
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away" -- Julia Gooding/James Bowman/Christopher Robson/David Wilson-Johnson/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt (320kbps ABR) | 01:45 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- James BowmanChristopher Robson (320kbps ABR) | 02:26 | N/A |
|
9
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" -- Gustav LeonhardtJames Bowman (320kbps ABR) | 04:25 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
| DISC 33 | |||
|
2
|
Stabat Mater: VII. Eia Mater -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:08 | N/A |
|
3
|
Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris -- Charles BrettOrchestra of Collegium VocaleGhentPhilippe Herreweghe (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale, Gent (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheMichael Chance (320kbps ABR) | 05:42 | N/A |
|
6
|
Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis" -- Greta de Reyghere/René Jacobs/Christoph Prégardien/Peter Lika/Nederlands Kamerkoor/La Petite Bande/Sigiswald Kuijken (320kbps ABR) | 03:16 | N/A |
|
9
|
Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:34 | N/A |
| DISC 34 | |||
|
2
|
Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
7
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away" -- Gustav LeonhardtChoir of the Age of EnlightenmentJames Bowman (320kbps ABR) | 01:45 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- Gustav LeonhardtChristopher RobsonJames Bowman (320kbps ABR) | 02:26 | N/A |
|
9
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" -- Gustav LeonhardtJames Bowman (320kbps ABR) | 04:25 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
|
15
|
Admeto, HWV 22, Act 2: Aria. "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis (320kbps ABR) | 05:42 | N/A |
| DISC 35 | |||
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale, Gent (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheMichael Chance (320kbps ABR) | 05:42 | N/A |
|
9
|
Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:34 | N/A |
| DISC 36 | |||
|
2
|
Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen StubbsDerek Lee Ragin (320kbps ABR) | 04:18 | N/A |
|
7
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away" -- Gustav LeonhardtChoir of the Age of EnlightenmentJames Bowman (320kbps ABR) | 01:45 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- Gustav LeonhardtChristopher RobsonJames Bowman (320kbps ABR) | 02:26 | N/A |
|
9
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" -- Gustav LeonhardtJames Bowman (320kbps ABR) | 04:25 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
|
13
|
If women could be fair -- Michael Chance/Christopher Wilson (320kbps ABR) | 03:29 | N/A |
| DISC 37 | |||
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale, Gent (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheMichael Chance (320kbps ABR) | 05:42 | N/A |
|
9
|
Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:34 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Pt. 2: No. 42, Aria. "Caldo sangue" (Ismaele) -- Gérard LesneIl Seminario MusicalePhilippe Jaroussky (320kbps ABR) | 04:44 | N/A |
|
16
|
Miserere: VI. Redde mihi laetitiam (Haute-contre) -- Dominique Visse/Gilles Ragon/Peter Harvey/Les Pages de la Chapelle/Olivier Schneebeli/La Grande Ecurie et la Chambre du Roy/Jean-Claude Malgoire (320kbps ABR) | 02:45 | N/A |
| DISC 38 | |||
|
2
|
Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen StubbsDerek Lee Ragin (320kbps ABR) | 04:18 | N/A |
|
7
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 2, Aria and Chorus. "Come Ye Sons of Art Away" -- Gustav LeonhardtChoir of the Age of EnlightenmentJames Bowman (320kbps ABR) | 01:45 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- Gustav LeonhardtChristopher RobsonJames Bowman (320kbps ABR) | 02:26 | N/A |
|
9
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" -- Gustav LeonhardtJames Bowman (320kbps ABR) | 04:25 | N/A |
| DISC 39 | |||
|
3
|
Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheMichael Chance (320kbps ABR) | 05:42 | N/A |
|
13
|
Sedecia, re di Gerusalemme, Pt. 2: No. 42, Aria. "Caldo sangue" (Ismaele) -- Gérard LesneIl Seminario MusicalePhilippe Jaroussky (320kbps ABR) | 04:44 | N/A |
| DISC 40 | |||
|
2
|
Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
| DISC 41 | |||
|
3
|
Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 05:27 | N/A |
| DISC 42 | |||
|
1
|
Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act I: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
3
|
Tamerlano, HWV 18, Act 3: Aria. "A dispetto d'un volto ingrato" (Andronico) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 04:38 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen StubbsDerek Lee Ragin (320kbps ABR) | 04:18 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- Gustav LeonhardtChristopher RobsonJames Bowman (320kbps ABR) | 02:26 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
| DISC 43 | |||
|
2
|
Stabat Mater: VII. Eia Mater -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:08 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheMichael Chance (320kbps ABR) | 05:42 | N/A |
|
9
|
Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:34 | N/A |
|
11
|
Israel in Egypt, HWV 54, Pt. 3: Air. "Thou shalt bring them in" -- Timothy Wilson/Taverner Players/Andrew Parrott (320kbps ABR) | 03:56 | N/A |
| DISC 44 | |||
|
1
|
Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act I: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
6
|
Cessate, omai cessate, RV 684 -- Stephen StubbsDerek Lee Ragin (320kbps ABR) | 04:18 | N/A |
|
15
|
Admeto, HWV 22, Act 2: Aria. "Sparite, oh pensieri, se solo volete" (Admeto) -- Alan CurtisIl Complesso BaroccoRené Jacobs (320kbps ABR) | 05:42 | N/A |
| DISC 45 | |||
|
2
|
Stabat Mater: VII. Eia Mater -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:08 | N/A |
|
15
|
Admeto, HWV 22, Act 2: Aria. "Sparite, oh pensieri, se solo volete" (Admeto) -- Alan CurtisIl Complesso BaroccoRené Jacobs (320kbps ABR) | 05:42 | N/A |
| DISC 46 | |||
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheMichael Chance (320kbps ABR) | 05:42 | N/A |
| DISC 47 | |||
|
1
|
Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
3
|
Tamerlano, HWV 18, Act 3: Aria. "A dispetto d'un volto ingrato" (Andronico) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 04:38 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- Gustav LeonhardtChristopher RobsonJames Bowman (320kbps ABR) | 02:26 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
|
15
|
Admeto, HWV 22, Act 2: Aria. "Sparite, oh pensieri, se solo volete" (Admeto) -- Alan CurtisIl Complesso BaroccoRené Jacobs (320kbps ABR) | 05:42 | N/A |
| DISC 48 | |||
|
2
|
Stabat Mater: VII. Eia Mater -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:08 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheMichael Chance (320kbps ABR) | 05:42 | N/A |
|
6
|
Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis" -- Greta de Reyghere/René Jacobs/Christoph Prégardien/Peter Lika/Nederlands Kamerkoor/La Petite Bande/Sigiswald Kuijken (320kbps ABR) | 03:16 | N/A |
|
9
|
Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) -- Sir Philip Ledger (320kbps ABR) | 03:34 | N/A |
| DISC 49 | |||
|
1
|
Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
| DISC 50 | |||
|
2
|
Stabat Mater: VII. Eia Mater -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:08 | N/A |
|
3
|
Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 05:27 | N/A |
| DISC 51 | |||
|
1
|
Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- Gustav LeonhardtChristopher RobsonJames Bowman (320kbps ABR) | 02:26 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
| DISC 52 | |||
|
2
|
Stabat Mater: VII. Eia Mater -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:08 | N/A |
|
3
|
Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheCollegium Vocale GentMichael Chance (320kbps ABR) | 05:42 | N/A |
|
9
|
Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David) -- Paul EsswoodEnglish Chamber OrchestraSir Philip Ledger (320kbps ABR) | 03:34 | N/A |
| DISC 53 | |||
|
1
|
Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:45 | N/A |
|
2
|
Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
3
|
Tamerlano, HWV 18, Act 3: Aria. "A dispetto d'un volto ingrato" (Andronico) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 04:38 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
1
|
Serse, HWV 40, Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 00:45 | N/A |
|
2
|
Stabat Mater: VII. Eia Mater -- Véronique GensGérard LesneIl Seminario Musicale (320kbps ABR) | 02:08 | N/A |
|
2
|
Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) -- David DanielsOrchestra of the Age of EnlightenmentSir Roger Norrington (320kbps ABR) | 03:08 | N/A |
|
3
|
Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 04:26 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 05:27 | N/A |
|
4
|
Recitativo: Ahimè! Dove trascorsi? (Orfeo ed Euridice) -- David Daniels (320kbps ABR) | 01:14 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 05:27 | N/A |
|
4
|
Mass in B Minor, BWV 232: Agnus Dei -- Philippe HerrewegheCharles BrettCollegium Vocale Gent (320kbps ABR) | 05:27 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheCollegium Vocale GentMichael Chance (320kbps ABR) | 05:42 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheCollegium Vocale GentMichael Chance (320kbps ABR) | 05:42 | N/A |
|
5
|
Weihnachtsoratorium, BWV 248, Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben" -- Philippe HerrewegheCollegium Vocale GentMichael Chance (320kbps ABR) | 05:42 | N/A |
|
5
|
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo) -- David Daniels (320kbps ABR) | 03:53 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- Gustav LeonhardtChristopher RobsonJames Bowman (320kbps ABR) | 02:26 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- Gustav LeonhardtChristopher RobsonJames Bowman (320kbps ABR) | 02:26 | N/A |
|
8
|
Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" -- Gustav LeonhardtChristopher RobsonJames Bowman (320kbps ABR) | 02:26 | N/A |
|
9
|
Saul, HWV 53, Act 1: Aria. "O Lord, Whose Mercies Numberless" (David) -- Paul EsswoodEnglish Chamber OrchestraSir Philip Ledger (320kbps ABR) | 03:34 | N/A |
|
9
|
Saul, HWV 53, Act 1: Aria. "O Lord, Whose Mercies Numberless" (David) -- Paul EsswoodEnglish Chamber OrchestraSir Philip Ledger (320kbps ABR) | 03:34 | N/A |
|
9
|
Saul, HWV 53, Act 1: Aria. "O Lord, Whose Mercies Numberless" (David) -- Paul EsswoodEnglish Chamber OrchestraSir Philip Ledger (320kbps ABR) | 03:34 | N/A |
|
12
|
Airs sérieux et à boire, Livre IX: Plainte sur la mort de Monseur Lambert -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
|
12
|
Plainte sur la mort de Monseur Lambert: "O mort, affreuse mort! Quelle est ta barbarie!" -- Gérard LesneIl Seminario Musicale (320kbps ABR) | 05:21 | N/A |
|
15
|
Admeto, HWV 22, Act 2: Aria. "Sparite, oh pensieri, se solo volete" (Admeto) -- Alan CurtisIl Complesso BaroccoRené Jacobs (320kbps ABR) | 05:42 | N/A |
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