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DISC 1
1
Admeto, HWV 22, Act 1: Overture -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 03:40 N/A
2
Admeto, HWV 22, Act 1: Introduction -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:16 N/A
3
Admeto, HWV 22, Act 1: Recitativo. "Orride larve" - Aria. "Chiudetevi, miei lumi" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 06:56 N/A
4
Admeto, HWV 22, Act 1: Recitativo. "Sire, l'invitto Alcide" (Orindo, Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:49 N/A
5
Admeto, HWV 22, Act 1: Recitativo. "A bastanza oorato nella tua Regia fui" (Ercole, Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:04 N/A
6
Admeto, HWV 22, Act 1: Aria. "La gloria sola, che ogn'or bramai" (Ercole) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 04:27 N/A
7
Admeto, HWV 22, Act 1: Recitativo. "Consolati, Signor!" (Orindo, Admeto, Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:07 N/A
8
Admeto, HWV 22, Act 1: Recitativo. "Risanarti non puoi" (Statua) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:24 N/A
9
Admeto, HWV 22, Act 1: Recitativo. "Stravagante portento!" (Admeto, Alceste, Orindo) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:56 N/A
10
Admeto, rè di Tessaglia, HWV 22, Act 1 Scene 3: No. 5a, Aria, "Luci care, addio, posate!" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 05:11 N/A
11
Admeto, HWV 22, Act 1: Sinfonia pastorale -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:58 N/A
12
Admeto, HWV 22, Act 1: Recitativo. "Admeto traditor" (Antigona, Meraspe) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:51 N/A
13
Admeto, HWV 22, Act 1: Aria. "Spera allor, che in mar turbato" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 08:10 N/A
14
Admeto, HWV 22, Act 1: Recitativo. "Non lagrimate" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:38 N/A
15
Admeto, HWV 22, Act 1: Aria. "Spera si, mio caro bene" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 06:27 N/A
16
Admeto, HWV 22, Act 1: Aria. "Cangio d'aspetto il crudo fato" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 05:09 N/A
17
Admeto, HWV 22, Act 1: Recitativo. "Quanto io goda, Admeto" (Ercole, Admeto, Voce di dentro, Orindo) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:55 N/A
18
Admeto, HWV 22, Act 1: Recitativo. "Oh, come spesso" (Orindo, Admeto, Ercole) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 03:09 N/A
19
Admeto, HWV 22, Act 1: Aria. "Un lampo è la speranza" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 03:25 N/A
20
Admeto, HWV 22, Act 1: Recitativo. "Meraspe ancor dalla città non torna" (Antigona, Meraspe) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:10 N/A
21
Admeto, HWV 22, Act 1: Sinfonia -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:17 N/A
22
Admeto, HWV 22, Act 1: Recitativo. "Cara Antigona amata" (Trasimede, Meraspe, Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:32 N/A
23
Admeto, rè di Tessaglia, HWV 22, Act 1 Scene 9: No. 12, Aria, "Se l'arco avessi e i strali" (Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 06:15 N/A
24
Admeto, HWV 22, Act 1: Recitativo. "Non potra megio il fato" (Antigona, Meraspe) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:50 N/A
25
Admeto, HWV 22, Act 1: Aria. "Se'n vola lo sparvier" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 06:00 N/A
DISC 2
1
Admeto, HWV 22, Act 2: Overture -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 03:44 N/A
2
Admeto, HWV 22, Act 2: Recitativo. "In vanti scuoti, in vano" (Ercole, Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:37 N/A
3
Admeto, HWV 22, Act 2: Sinfonia -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:22 N/A
4
Admeto, HWV 22, Act 2: Recitativo. "Ecco, Alceste spezzati" (Ercole, Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:50 N/A
5
Admeto, HWV 22, Act 2: Aria. "Quanto godrà, allor che mi vedrà" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 03:29 N/A
6
Admeto, HWV 22, Act 2: Recitativo. "E che sperar poss'io" (Antigona, Orindo) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:59 N/A
7
Admeto, HWV 22, Act 2: Aria. "Bella, non t'adirar!" (Orindo) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 03:10 N/A
8
Admeto, HWV 22, Act 2: Recitativo. "Godo, oh bella" (Trasimede, Antigona, Orindo) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:27 N/A
9
Admeto, HWV 22, Act 2: Aria. "Da te più tosto partir vogl'io" (Trasimede) -- Alan CurtisIl Complesso BaroccoJames Bowman  aac: 16bit/44.1kHz  (320kbps ABR) 04:18 N/A
10
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 4: Recitativo, "Per me si strugge Trasimede, oh Dio!" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:30 N/A
11
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 4: No. 20, Aria, "E per monti e per piano e per selve" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 06:18 N/A
12
Admeto, HWV 22, Act 2: Recitativo. "Sire, da che bramasti" (Orindo, Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:19 N/A
13
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 5: No. 21, Aria, "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 05:42 N/A
14
Admeto, HWV 22, Act 2: Recitativo. "Ecco chi tanto adoro" (Antigona, Meraspe, Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 04:20 N/A
15
Admeto, HWV 22, Act 2: Aria. "Da tanti affanni oppressa" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 07:15 N/A
16
Admeto, HWV 22, Act 2: Recitativo. "A qual fine, oh Regina" (Ercole, Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:05 N/A
17
Admeto, HWV 22, Act 2: Aria. "Gelosia, spietata Aletto" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 05:08 N/A
18
Admeto, HWV 22, Act 2: Recitativo. "Quivi tra questi solitarii orrori" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:34 N/A
19
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 8: No. 25, Aria, "Ah, si morrò" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 05:56 N/A
20
Admeto, HWV 22, Act 2: Recitativo. "Lasciatemi, oh felloni!" (Antigona, Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:00 N/A
21
Admeto, HWV 22, Act 2: Recitativo. "Questo dunque e il ritratto" (Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:38 N/A
22
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 10: No. 26, Aria, "Chi è nato alle sventure" (Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:34 N/A
23
Admeto, HWV 22, Act 2: Recitativo. "Il ritratto d'Admeto" (Antigona, Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:29 N/A
24
Admeto, HWV 22, Act 2: Aria. "La sorte mia vacilla" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 04:24 N/A
25
Admeto, HWV 22, Act 2: Recitativo. "Quest'è dunque la fede" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:43 N/A
26
Admeto, HWV 22, Act 2: Aria. "Vedrò fra poco, se l'idol mio" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 05:12 N/A
DISC 3
1
Admeto, HWV 22, Act 3: Arioso. "A languir ed a penar" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:33 N/A
2
Admeto, HWV 22, Act 3: Recitativo. "Ah! Sire, imploro" (Meraspe, Admeto, Orindo) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:30 N/A
3
Admeto, HWV 22, Act 3: Aria. "Signor, lo credi a me" (Meraspe) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 04:17 N/A
4
Admeto, HWV 22, Act 3: Recitativo. "Amor, qual nuova fiamma" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:45 N/A
5
Admeto, HWV 22, Act 3: Aria. "La tigre arde di sdegno" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 04:53 N/A
6
Admeto, HWV 22, Act 3: Recitativo. "Dalla Regia dell'ombre" (Ercole, Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:44 N/A
7
Admeto, HWV 22, Act 3: Aria. "Amor è un tiranno" (Ercole) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 03:09 N/A
8
Admeto, HWV 22, Act 3: Recitativo. "Oh Dio! non formo passo" (Antigona, Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:21 N/A
9
Admeto, HWV 22, Act 3: Recitativo. "Olà, soldati, ecco qui" (Orindo, Alceste, Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:38 N/A
10
Admeto, HWV 22, Act 3: Aria. "Io tio bracio, oh bella imago" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 03:12 N/A
11
Admeto, HWV 22, Act 3: Recitativo. "Che veggio, oh ciel, che veggio?" (Ercole, Orindo, Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 01:58 N/A
12
Admeto, HWV 22, Act 3: Aria. "Là dove glio occhi io giro" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 05:30 N/A
13
Admeto, HWV 22, Act 3: Recitativo. "Prence, meco gioisci!" (Meraspe, Trasimede, Antigone) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:22 N/A
14
Admeto, HWV 22, Act 3: Aria. "E che ci posso far" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 05:32 N/A
15
Admeto, HWV 22, Act 3: Recitativo. "Mie speranze abbattute" (Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:37 N/A
16
Admeto, HWV 22, Act 3: Aria. "Armati, oh core, di cieco sdegno!" (Trasimede) -- Alan CurtisIl Complesso BaroccoJames Bowman  aac: 16bit/44.1kHz  (320kbps ABR) 02:15 N/A
17
Admeto, HWV 22, Act 3: Recitativo. "Ma giunge il Re" (Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:16 N/A
18
Admeto, HWV 22, Act 3: Recitativo. "Vieni, Antigona mia" (Admeto, Alceste, Antigona, Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:54 N/A
19
Admeto, HWV 22, Act 3: Duetto. "Alma mia, dolce ristoro" - Recitativo. "Muori! Fermati, iniquo!" (Alceste, Antigona, Admeto, Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 05:32 N/A
20
Admeto, HWV 22, Act 3: Recitativo. "Signore. Sia arrestato costui!" (Orindo, Admeto, Antigona, Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:53 N/A
21
Admeto, HWV 22, Act 3: Recitativo. "Opportuno qui giungo" - Recitativo. "No, no, Signor, son qui" (Ercole, Trasimede, Admeto, Alceste, Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:51 N/A
22
Admeto, HWV 22, Act 3: Aria. "Sì, caro, sì" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 03:55 N/A
23
Admeto, HWV 22, Act 3: Recitativo. "Ad Alceste la vita, a te l'onore" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 00:20 N/A
24
Admeto, HWV 22, Act 3: Coro. "Se un core è contento" (Chorus) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  aac: 16bit/44.1kHz  (320kbps ABR) 02:37 N/A
10
Admeto, HWV 22, Act 1: "Luci care, addio, posate!" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 05:11 N/A
10
Admeto, HWV 22, Act 2: Recitativo. "Per me si strugge Trasimede, oh Dio!" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 00:30 N/A
10
Admeto, HWV 22, Act 2: "Per me si strugge Trasimede, oh Dio!" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 00:30 N/A
10
Admeto, HWV 22, Act 1: Aria. "Luci care, addio, posate!" (Alceste) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 05:11 N/A
11
Admeto, HWV 22, Act 2: "E per monti e per piano e per selve" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 06:18 N/A
11
Admeto, HWV 22, Act 2: Aria. "E per monti e per piano e per selve" (Antigona) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 06:18 N/A
13
Admeto, HWV 22, Act 2: "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 05:42 N/A
13
Admeto, HWV 22, Act 2: Aria. "Sparite, oh pensieri, se solo volete" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 05:42 N/A
19
Admeto, HWV 22, Act 2: "Ah, sì, morrò" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 05:56 N/A
19
Admeto, HWV 22, Act 2: Aria. "Ah, sì, morrò" (Admeto) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 05:56 N/A
22
Admeto, HWV 22, Act 2: Aria. "Chi è nato alle sventure" (Trasimede) -- Alan CurtisIl Complesso BaroccoJames Bowman  (320kbps ABR) 02:34 N/A
22
Admeto, HWV 22, Act 2: "Chi è nato alle sventure" (Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 02:34 N/A
23
Admeto, HWV 22, Act 1: "Se l'arco avessi e i strali" (Trasimede) -- René Jacobs/Rachel Yakar/Ulrik Cold/Rita Dams/James Bowman/Jill Gomez/Max van Egmond/Il Complesso Barocco/Alan Curtis  (320kbps ABR) 06:15 N/A
23
Admeto, HWV 22, Act 1: Aria. "Se l'arco avessi e i strali" (Trasimede) -- Alan CurtisIl Complesso BaroccoJames Bowman  (320kbps ABR) 06:15 N/A
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