Trial
| Title | Duration | Price | ||
|---|---|---|---|---|
| DISC 1 | ||||
| 1 | Rhapsody -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 07:06 | N/A | |
| 2 | Quartettino: I. Andante - Allegro molto e con fuoco -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 05:58 | N/A | |
| 3 | Quartettino: II. Poco adagio ma con moto -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 06:26 | N/A | |
| 4 | Quartettino: III. Allegro molto vivace -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:05 | N/A | |
| 5 | Elegy for Viola -- Garfield Jackson aac: 16bit/44.1kHz (320kbps ABR) | 07:25 | N/A | |
| 6 | String Quartet in D Major: I. Allegro maestoso -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 08:17 | N/A | |
| 7 | String Quartet in D Major: II. Lento ed espressivo -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 06:51 | N/A | |
| 8 | String Quartet in D Major: III. Allegro giocoso -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 04:39 | N/A | |
| 9 | Phantasy for String Quintet in F Minor -- Nicholas Logie/Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 10:59 | N/A | |
| DISC 2 | ||||
| 1 | Phantasy Quartet, Op. 2 -- Douglas Boyd/Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 13:17 | N/A | |
| 2 | 3 Divertimenti: No. 1, March -- Endellion String Quartet/Andrew Keener aac: 16bit/44.1kHz (320kbps ABR) | 03:45 | N/A | |
| 3 | 3 Divertimenti: No. 2, Waltz -- Endellion String Quartet/Andrew Keener aac: 16bit/44.1kHz (320kbps ABR) | 02:45 | N/A | |
| 4 | 3 Divertimenti: No. 3, Burlesque -- Endellion String Quartet/Andrew Keener aac: 16bit/44.1kHz (320kbps ABR) | 03:21 | N/A | |
| 5 | Alla marcia -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:23 | N/A | |
| 6 | String Quartet No. 1 in D Major, Op. 25: I. Andante sostenuto - Allegro vivo -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 08:39 | N/A | |
| 7 | String Quartet No. 1 in D Major, Op. 25: II. Allegro con slancio -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:00 | N/A | |
| 8 | String Quartet No. 1 in D Major, Op. 25: III. Andante calmo -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 11:28 | N/A | |
| 9 | String Quartet No. 1 in D Major, Op. 25: IV. Molto vivace -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:50 | N/A | |
| DISC 3 | ||||
| 1 | Holiday Diary, Op. 5: I. Early Morning Bathe -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:07 | N/A | |
| 1 | String Quartet No. 2 in C Major, Op. 36: I. Allegro calmo senza rigore -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 07:51 | N/A | |
| 2 | Holiday Diary, Op. 5: II. Sailing -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 05:14 | N/A | |
| 2 | String Quartet No. 2 in C Major, Op. 36: II. Vivace -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:40 | N/A | |
| 3 | String Quartet No. 2 in C Major, Op. 36: III. Chacony -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 17:45 | N/A | |
| 3 | Holiday Diary, Op. 5: III. Funfair -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:39 | N/A | |
| 4 | String Quartet No. 3 in G Major, Op. 94: I. Duets -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 05:24 | N/A | |
| 4 | Holiday Diary, Op. 5: IV. Night -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 06:58 | N/A | |
| 5 | String Quartet No. 3 in G Major, Op. 94: II. Ostinato -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 03:01 | N/A | |
| 5 | 3 Character Pieces: No. 1, John -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 01:57 | N/A | |
| 6 | String Quartet No. 3 in G Major, Op. 94: III. Solo -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 05:30 | N/A | |
| 6 | 3 Character Pieces: No. 2, Daphne -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:07 | N/A | |
| 7 | 3 Character Pieces: No. 3, Michael -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 03:00 | N/A | |
| 7 | String Quartet No. 3 in G Major, Op. 94: IV. Burlesque -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 02:16 | N/A | |
| 8 | String Quartet No. 3 in G Major, Op. 94: V. Recitative and Passacaglia -- Endellion String Quartet aac: 16bit/44.1kHz (320kbps ABR) | 09:49 | N/A | |
| 8 | Night Piece "Notturno" -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 05:23 | N/A | |
| 9 | Sonata romantica "Moderato and Nocturne": I. Moderato -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 04:39 | N/A | |
| 10 | Sonata romantica "Moderato and Nocturne": II. Nocturne -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:53 | N/A | |
| 11 | 12 Variations for Piano -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 08:41 | N/A | |
| 12 | 5 Waltzes: No. 1, Rather Fast and Nervous -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 01:07 | N/A | |
| 13 | 5 Waltzes: No. 2, Quick, with Wit -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 01:39 | N/A | |
| 14 | 5 Waltzes: No. 3, Dramatic -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 01:41 | N/A | |
| 15 | 5 Waltzes: No. 4, Rhythmic, Not Fast -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 03:30 | N/A | |
| 16 | 5 Waltzes: No. 5, Variations. Quiet and Simple -- Stephen Hough aac: 16bit/44.1kHz (320kbps ABR) | 02:58 | N/A | |
| 17 | 2 Lullabies for Two Pianos: No. 1 -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 03:19 | N/A | |
| 18 | 2 Lullabies for Two Pianos: No. 2, Lullaby for a Retired Colonel -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 02:22 | N/A | |
| 19 | Mazurka elegiaca for Two Pianos, Op. 23 No. 2 -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 08:24 | N/A | |
| 20 | Introduction and Rondo alla burlesca for Two Pianos, Op. 23 No. 1: Introduction - -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 03:21 | N/A | |
| 21 | Introduction and Rondo alla burlesca for Two Pianos, Op. 23 No. 1: Rondo alla burlesca -- Stephen HoughRonan O'Hora aac: 16bit/44.1kHz (320kbps ABR) | 05:43 | N/A | |
| Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico -- Truls Mørk (320kbps ABR) | - | N/A | ||
| DISC 4 | ||||
| 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 00:43 | N/A | |
| 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 02:54 | N/A | |
| 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 03:12 | N/A | |
| 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 04:39 | N/A | |
| 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley aac: 16bit/44.1kHz (320kbps ABR) | 04:30 | N/A | |
| 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 07:53 | N/A | |
| 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 06:46 | N/A | |
| 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 02:18 | N/A | |
| 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 02:50 | N/A | |
| 11 | Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 02:27 | N/A | |
| 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 02:50 | N/A | |
| 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 01:52 | N/A | |
| 15 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 03:14 | N/A | |
| 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 02:33 | N/A | |
| 17 | Nocturnal after John Dowland, Op. 70: I. Musingly (Meditation) (Meditation) -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 02:16 | N/A | |
| 18 | Nocturnal after John Dowland, Op. 70: II. Very Agitated -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 00:55 | N/A | |
| 19 | Nocturnal after John Dowland, Op. 70: III. Restless -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 02:00 | N/A | |
| 20 | Nocturnal after John Dowland, Op. 70: IV. Uneasy -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 01:32 | N/A | |
| 21 | Nocturnal after John Dowland, Op. 70: V. March-Like -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 01:36 | N/A | |
| 22 | Nocturnal after John Dowland, Op. 70: VI. Dreaming -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 01:54 | N/A | |
| 23 | Nocturnal after John Dowland, Op. 70: VII. Gently Rocking -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 00:56 | N/A | |
| 24 | Nocturnal after John Dowland, Op. 70: VIII. Passacaglia (Misurato) -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 04:50 | N/A | |
| 25 | Nocturnal After John Dowland, Op. 70: IX. Slow and Quiet -- Julian Bream aac: 16bit/44.1kHz (320kbps ABR) | 02:29 | N/A | |
| Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | - | N/A | ||
| Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A | ||
| DISC 5 | ||||
| 1 | Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:21 | N/A | |
| 2 | Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:59 | N/A | |
| 3 | Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:08 | N/A | |
| 4 | Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:11 | N/A | |
| 5 | Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:13 | N/A | |
| 6 | Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:31 | N/A | |
| 7 | Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:28 | N/A | |
| 8 | Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:04 | N/A | |
| 9 | Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 03:32 | N/A | |
| 10 | Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 04:30 | N/A | |
| 11 | Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg aac: 16bit/44.1kHz (320kbps ABR) | 04:43 | N/A | |
| 12 | Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg aac: 16bit/44.1kHz (320kbps ABR) | 02:00 | N/A | |
| 13 | Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg aac: 16bit/44.1kHz (320kbps ABR) | 05:36 | N/A | |
| 14 | Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg aac: 16bit/44.1kHz (320kbps ABR) | 07:14 | N/A | |
| 15 | Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:35 | N/A | |
| 16 | Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:46 | N/A | |
| 17 | Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:21 | N/A | |
| 18 | Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:23 | N/A | |
| 19 | Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:43 | N/A | |
| 20 | Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 02:36 | N/A | |
| 21 | Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 01:17 | N/A | |
| 22 | Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 00:58 | N/A | |
| 23 | Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne -- Truls Mørk aac: 16bit/44.1kHz (320kbps ABR) | 09:45 | N/A | |
| DISC 6 | ||||
| 1 | Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente -- Truls Mørk (320kbps ABR) | 02:18 | N/A | |
| 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A | |
| 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A | |
| 2 | Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato -- Truls Mørk (320kbps ABR) | 04:00 | N/A | |
| 3 | Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato -- Truls Mørk (320kbps ABR) | 03:08 | N/A | |
| 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A | |
| 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A | |
| 4 | Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto -- Truls Mørk (320kbps ABR) | 01:11 | N/A | |
| 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A | |
| 5 | Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) -- Truls Mørk (320kbps ABR) | 02:13 | N/A | |
| 6 | Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato -- Truls Mørk (320kbps ABR) | 03:32 | N/A | |
| 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A | |
| 7 | Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto -- Truls Mørk (320kbps ABR) | 02:28 | N/A | |
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan aac: 16bit/44.1kHz (320kbps ABR) | 02:34 | N/A | |
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A | |
| 8 | Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo -- Truls Mørk (320kbps ABR) | 03:06 | N/A | |
| 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A | |
| 9 | Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto -- Truls Mørk (320kbps ABR) | 03:21 | N/A | |
| 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A | |
| 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A | |
| 10 | Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo -- Truls Mørk (320kbps ABR) | 04:30 | N/A | |
| 11 | Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg (320kbps ABR) | 04:43 | N/A | |
| 11 | Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A | |
| 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter aac: 16bit/44.1kHz (320kbps ABR) | 01:24 | N/A | |
| 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A | |
| 12 | Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg (320kbps ABR) | 02:01 | N/A | |
| 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A | |
| 13 | Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | 05:36 | N/A | |
| 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A | |
| 14 | Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg (320kbps ABR) | 07:03 | N/A | |
| 15 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A | |
| 15 | Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento -- Truls Mørk (320kbps ABR) | 02:35 | N/A | |
| 16 | Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro -- Truls Mørk (320kbps ABR) | 01:47 | N/A | |
| 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A | |
| 17 | Nocturnal after John Dowland, Op. 70: I. Musingly (Meditation) (Meditation) -- Julian Bream (320kbps ABR) | 02:13 | N/A | |
| 17 | Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto -- Truls Mørk (320kbps ABR) | 01:22 | N/A | |
| 18 | Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento -- Truls Mørk (320kbps ABR) | 01:24 | N/A | |
| 19 | Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto -- Truls Mørk (320kbps ABR) | 01:43 | N/A | |
| 20 | Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo -- Truls Mørk (320kbps ABR) | 02:35 | N/A | |
| 21 | Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico -- Truls Mørk (320kbps ABR) | 01:18 | N/A | |
| 22 | Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto -- Truls Mørk (320kbps ABR) | 00:58 | N/A | |
| 23 | Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne -- Truls Mørk (320kbps ABR) | 09:50 | N/A | |
| 24 | Nocturnal after John Dowland, Op. 70: VIII. Passacaglia (Misurato) -- Julian Bream (320kbps ABR) | 04:50 | N/A | |
| Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A | ||
| Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A | ||
| Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A | ||
| Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A | ||
| Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A | ||
| Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | - | N/A | ||
| Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | - | N/A | ||
| Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | - | N/A | ||
| Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | - | N/A | ||
| Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | - | N/A | ||
| Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | - | N/A | ||
| Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg (320kbps ABR) | - | N/A | ||
| Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro -- Truls Mørk (320kbps ABR) | - | N/A | ||
| Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A | ||
| Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A | ||
| Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A | ||
| Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | - | N/A | ||
| Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne -- Truls Mørk (320kbps ABR) | - | N/A | ||
| DISC 7 | ||||
| 1 | Cello Suite No. 1, Op. 72: I. Canto primo -- Truls Mørk (320kbps ABR) | 02:21 | N/A | |
| 2 | Cello Suite No. 1, Op. 72: II. Fuga -- Truls Mørk (320kbps ABR) | 03:59 | N/A | |
| 3 | Cello Suite No. 1, Op. 72: III. Lamento -- Truls Mørk (320kbps ABR) | 03:08 | N/A | |
| 4 | Cello Suite No. 1, Op. 72: IV. Canto secondo -- Truls Mørk (320kbps ABR) | 01:11 | N/A | |
| 5 | Cello Suite No. 1, Op. 72: V. Serenata -- Truls Mørk (320kbps ABR) | 02:13 | N/A | |
| 6 | Cello Suite No. 1, Op. 72: VI. Marcia -- Truls Mørk (320kbps ABR) | 03:31 | N/A | |
| 7 | Cello Suite No. 1, Op. 72: VII. Canto terzo -- Truls Mørk (320kbps ABR) | 02:28 | N/A | |
| 8 | Cello Suite No. 1, Op. 72: VIII. Bordone -- Truls Mørk (320kbps ABR) | 03:04 | N/A | |
| 9 | Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quatro -- Truls Mørk (320kbps ABR) | 03:32 | N/A | |
| 10 | Cello Suite No. 2, Op. 80: I. Declamato -- Truls Mørk (320kbps ABR) | 04:30 | N/A | |
| 11 | Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante -- Truls Mørk/Arne Akselberg (320kbps ABR) | 04:43 | N/A | |
| 12 | Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto -- Truls Mørk/Arne Akselberg (320kbps ABR) | 02:00 | N/A | |
| 13 | Suite No. 2 in D for Solo Cello Op.80: IV Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | 05:36 | N/A | |
| 14 | Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro -- Truls Mørk/Arne Akselberg (320kbps ABR) | 07:14 | N/A | |
| 15 | Cello Suite No. 3, Op. 87: I. Introduzione (Lento) -- Truls Mørk (320kbps ABR) | 02:35 | N/A | |
| 16 | Cello Suite No. 3, Op. 87: II. Marcia (Allegro) -- Truls Mørk (320kbps ABR) | 01:46 | N/A | |
| 17 | Cello Suite No. 3, Op. 87: III. Canto (Con moto) -- Truls Mørk (320kbps ABR) | 01:21 | N/A | |
| 18 | Cello Suite No. 3, Op. 87: IV. Barcarolla (Lento) -- Truls Mørk (320kbps ABR) | 01:23 | N/A | |
| 19 | Cello Suite No. 3, Op. 87: V. Dialogo (Allegretto) -- Truls Mørk (320kbps ABR) | 01:43 | N/A | |
| 20 | Cello Suite No. 3, Op. 87: VI. Fuga (Andante espressivo) -- Truls Mørk (320kbps ABR) | 02:36 | N/A | |
| 21 | Cello Suite No. 3, Op. 87: VII. Recitativo (Fantastico) -- Truls Mørk (320kbps ABR) | 01:17 | N/A | |
| 22 | Cello Suite No. 3, Op. 87: VIII. Moto perpetuo (Presto) -- Truls Mørk (320kbps ABR) | 00:58 | N/A | |
| 23 | Cello Suite No. 3, Op. 87: IX. Passacaglia (Lento solenne) -- Truls Mørk (320kbps ABR) | 09:45 | N/A | |
| DISC 8 | ||||
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A | |
| 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A | |
| 17 | Nocturnal after John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A | |
| 24 | Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A | |
| DISC 9 | ||||
| 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A | |
| 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A | |
| 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A | |
| 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A | |
| 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A | |
| 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A | |
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A | |
| 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A | |
| 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A | |
| 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A | |
| 11 | Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A | |
| 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A | |
| 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A | |
| 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A | |
| 15 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A | |
| 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A | |
| DISC 10 | ||||
| 1 | Cello Suite No. 1, Op. 72: I. Canto primo -- Truls Mørk (320kbps ABR) | 02:21 | N/A | |
| 2 | Cello Suite No. 1, Op. 72: II. Fuga -- Truls Mørk (320kbps ABR) | 03:59 | N/A | |
| 3 | Cello Suite No. 1, Op. 72: III. Lamento -- Truls Mørk (320kbps ABR) | 03:08 | N/A | |
| 4 | Cello Suite No. 1, Op. 72: IV. Canto secondo -- Truls Mørk (320kbps ABR) | 01:11 | N/A | |
| 5 | Cello Suite No. 1, Op. 72: V. Serenata -- Truls Mørk (320kbps ABR) | 02:13 | N/A | |
| 6 | Cello Suite No. 1, Op. 72: VI. Marcia -- Truls Mørk (320kbps ABR) | 03:31 | N/A | |
| 7 | Cello Suite No. 1, Op. 72: VII. Canto terzo -- Truls Mørk (320kbps ABR) | 02:28 | N/A | |
| 8 | Cello Suite No. 1, Op. 72: VIII. Bordone -- Truls Mørk (320kbps ABR) | 03:04 | N/A | |
| 9 | Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quatro -- Truls Mørk (320kbps ABR) | 03:32 | N/A | |
| 10 | Cello Suite No. 2, Op. 80: I. Declamato -- Truls Mørk (320kbps ABR) | 04:30 | N/A | |
| 11 | Cello Suite No. 2, Op. 80: II. Fuga -- Truls Mørk/Arne Akselberg (320kbps ABR) | 04:43 | N/A | |
| 12 | Cello Suite No. 2, Op. 80: III. Scherzo -- Truls Mørk/Arne Akselberg (320kbps ABR) | 02:00 | N/A | |
| 13 | Cello Suite No. 2, Op. 80: IV. Andante lento -- Truls Mørk/Arne Akselberg (320kbps ABR) | 05:36 | N/A | |
| 14 | Cello Suite No. 2, Op. 80: V. Ciaccona -- Truls Mørk/Arne Akselberg (320kbps ABR) | 07:14 | N/A | |
| 15 | Cello Suite No. 3, Op. 87: I. Introduzione -- Truls Mørk (320kbps ABR) | 02:35 | N/A | |
| 16 | Cello Suite No. 3, Op. 87: II. Marcia -- Truls Mørk (320kbps ABR) | 01:46 | N/A | |
| 17 | Cello Suite No. 3, Op. 87: III. Canto -- Truls Mørk (320kbps ABR) | 01:21 | N/A | |
| 18 | Cello Suite No. 3, Op. 87: IV. Barcarolla -- Truls Mørk (320kbps ABR) | 01:23 | N/A | |
| 19 | Cello Suite No. 3, Op. 87: V. Dialogo -- Truls Mørk (320kbps ABR) | 01:43 | N/A | |
| 20 | Cello Suite No. 3, Op. 87: VI. Fuga -- Truls Mørk (320kbps ABR) | 02:36 | N/A | |
| 21 | Cello Suite No. 3, Op. 87: VII. Recitativo -- Truls Mørk (320kbps ABR) | 01:17 | N/A | |
| 22 | Cello Suite No. 3, Op. 87: VIII. Moto perpetuo -- Truls Mørk (320kbps ABR) | 00:58 | N/A | |
| 23 | Cello Suite No. 3, Op. 87: IX. Passacaglia -- Truls Mørk (320kbps ABR) | 09:45 | N/A | |
| DISC 11 | ||||
| 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A | |
| 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A | |
| 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A | |
| 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A | |
| 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A | |
| 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A | |
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A | |
| 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A | |
| 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A | |
| 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A | |
| 11 | Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A | |
| 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A | |
| 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A | |
| 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A | |
| 15 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A | |
| 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A | |
| 17 | Nocturnal after John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A | |
| 24 | Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A | |
| DISC 12 | ||||
| 1 | Cello Suite No. 1, Op. 72: I. Canto primo -- Truls Mørk (320kbps ABR) | 02:21 | N/A | |
| 2 | Cello Suite No. 1, Op. 72: II. Fuga -- Truls Mørk (320kbps ABR) | 03:59 | N/A | |
| 3 | Cello Suite No. 1, Op. 72: III. Lamento -- Truls Mørk (320kbps ABR) | 03:08 | N/A | |
| 4 | Cello Suite No. 1, Op. 72: IV. Canto secondo -- Truls Mørk (320kbps ABR) | 01:11 | N/A | |
| 5 | Cello Suite No. 1, Op. 72: V. Serenata -- Truls Mørk (320kbps ABR) | 02:13 | N/A | |
| 6 | Cello Suite No. 1, Op. 72: VI. Marcia -- Truls Mørk (320kbps ABR) | 03:31 | N/A | |
| 7 | Cello Suite No. 1, Op. 72: VII. Canto terzo -- Truls Mørk (320kbps ABR) | 02:28 | N/A | |
| 8 | Cello Suite No. 1, Op. 72: VIII. Bordone -- Truls Mørk (320kbps ABR) | 03:04 | N/A | |
| 9 | Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quatro -- Truls Mørk (320kbps ABR) | 03:32 | N/A | |
| 10 | Cello Suite No. 2, Op. 80: I. Declamato -- Truls Mørk (320kbps ABR) | 04:30 | N/A | |
| 11 | Cello Suite No. 2, Op. 80: II. Fuga -- Truls Mørk (320kbps ABR) | 04:43 | N/A | |
| 12 | Cello Suite No. 2, Op. 80: III. Scherzo -- Truls Mørk (320kbps ABR) | 02:00 | N/A | |
| 13 | Cello Suite No. 2, Op. 80: IV. Andante lento -- Truls Mørk (320kbps ABR) | 05:36 | N/A | |
| 14 | Cello Suite No. 2, Op. 80: V. Ciaccona -- Truls Mørk (320kbps ABR) | 07:14 | N/A | |
| 15 | Cello Suite No. 3, Op. 87: I. Introduzione -- Truls Mørk (320kbps ABR) | 02:35 | N/A | |
| 16 | Cello Suite No. 3, Op. 87: II. Marcia -- Truls Mørk (320kbps ABR) | 01:46 | N/A | |
| 17 | Cello Suite No. 3, Op. 87: III. Canto -- Truls Mørk (320kbps ABR) | 01:21 | N/A | |
| 18 | Cello Suite No. 3, Op. 87: IV. Barcarolla -- Truls Mørk (320kbps ABR) | 01:23 | N/A | |
| 19 | Cello Suite No. 3, Op. 87: V. Dialogo -- Truls Mørk (320kbps ABR) | 01:43 | N/A | |
| 20 | Cello Suite No. 3, Op. 87: VI. Fuga -- Truls Mørk (320kbps ABR) | 02:36 | N/A | |
| 21 | Cello Suite No. 3, Op. 87: VII. Recitativo -- Truls Mørk (320kbps ABR) | 01:17 | N/A | |
| 22 | Cello Suite No. 3, Op. 87: VIII. Moto perpetuo -- Truls Mørk (320kbps ABR) | 00:58 | N/A | |
| 23 | Cello Suite No. 3, Op. 87: IX. Passacaglia -- Truls Mørk (320kbps ABR) | 09:45 | N/A | |
| DISC 13 | ||||
| 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A | |
| 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A | |
| 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A | |
| 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A | |
| 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A | |
| 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A | |
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A | |
| 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A | |
| 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A | |
| 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A | |
| 11 | Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A | |
| 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A | |
| 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A | |
| 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A | |
| 15 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A | |
| 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A | |
| 17 | Nocturnal after John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A | |
| 24 | Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A | |
| DISC 14 | ||||
| 1 | Cello Suite No. 1, Op. 72: I. Canto primo -- Truls Mørk (320kbps ABR) | 02:21 | N/A | |
| 2 | Cello Suite No. 1, Op. 72: II. Fuga -- Truls Mørk (320kbps ABR) | 03:59 | N/A | |
| 3 | Cello Suite No. 1, Op. 72: III. Lamento -- Truls Mørk (320kbps ABR) | 03:08 | N/A | |
| 4 | Cello Suite No. 1, Op. 72: IV. Canto secondo -- Truls Mørk (320kbps ABR) | 01:11 | N/A | |
| 5 | Cello Suite No. 1, Op. 72: V. Serenata -- Truls Mørk (320kbps ABR) | 02:13 | N/A | |
| 6 | Cello Suite No. 1, Op. 72: VI. Marcia -- Truls Mørk (320kbps ABR) | 03:31 | N/A | |
| 7 | Cello Suite No. 1, Op. 72: VII. Canto terzo -- Truls Mørk (320kbps ABR) | 02:28 | N/A | |
| 8 | Cello Suite No. 1, Op. 72: VIII. Bordone -- Truls Mørk (320kbps ABR) | 03:04 | N/A | |
| 9 | Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quatro -- Truls Mørk (320kbps ABR) | 03:32 | N/A | |
| 10 | Cello Suite No. 2, Op. 80: I. Declamato -- Truls Mørk (320kbps ABR) | 04:30 | N/A | |
| 11 | Cello Suite No. 2, Op. 80: II. Fuga -- Truls Mørk (320kbps ABR) | 04:43 | N/A | |
| 12 | Cello Suite No. 2, Op. 80: III. Scherzo -- Truls Mørk (320kbps ABR) | 02:00 | N/A | |
| 13 | Cello Suite No. 2, Op. 80: IV. Andante lento -- Truls Mørk (320kbps ABR) | 05:36 | N/A | |
| 14 | Cello Suite No. 2, Op. 80: V. Ciaccona -- Truls Mørk (320kbps ABR) | 07:14 | N/A | |
| 15 | Cello Suite No. 3, Op. 87: I. Introduzione -- Truls Mørk (320kbps ABR) | 02:35 | N/A | |
| 16 | Cello Suite No. 3, Op. 87: II. Marcia -- Truls Mørk (320kbps ABR) | 01:46 | N/A | |
| 17 | Cello Suite No. 3, Op. 87: III. Canto -- Truls Mørk (320kbps ABR) | 01:21 | N/A | |
| 18 | Cello Suite No. 3, Op. 87: IV. Barcarolla -- Truls Mørk (320kbps ABR) | 01:23 | N/A | |
| 19 | Cello Suite No. 3, Op. 87: V. Dialogo -- Truls Mørk (320kbps ABR) | 01:43 | N/A | |
| 20 | Cello Suite No. 3, Op. 87: VI. Fuga -- Truls Mørk (320kbps ABR) | 02:36 | N/A | |
| 21 | Cello Suite No. 3, Op. 87: VII. Recitativo -- Truls Mørk (320kbps ABR) | 01:17 | N/A | |
| 22 | Cello Suite No. 3, Op. 87: VIII. Moto perpetuo -- Truls Mørk (320kbps ABR) | 00:58 | N/A | |
| 23 | Cello Suite No. 3, Op. 87: IX. Passacaglia -- Truls Mørk (320kbps ABR) | 09:45 | N/A | |
| DISC 15 | ||||
| 17 | Nocturnal after John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A | |
| 24 | Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A | |
| DISC 16 | ||||
| 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A | |
| 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A | |
| 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A | |
| 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A | |
| 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A | |
| 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A | |
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A | |
| 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A | |
| 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A | |
| 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A | |
| 11 | Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) -- Roy Carter (320kbps ABR) | 02:27 | N/A | |
| 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A | |
| 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A | |
| 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A | |
| 15 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A | |
| 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A | |
| 17 | Nocturnal After John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A | |
| 24 | Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A | |
| DISC 17 | ||||
| 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A | |
| 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A | |
| 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A | |
| 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A | |
| 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A | |
| 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A | |
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A | |
| 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A | |
| 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A | |
| 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A | |
| 11 | Six Metamorphoses After Ovid, Op. 49: No. 1, Pan -- Roy Carter (320kbps ABR) | 02:27 | N/A | |
| 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A | |
| 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A | |
| 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A | |
| 15 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A | |
| 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A | |
| 17 | Nocturnal After John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A | |
| 24 | Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A | |
| DISC 18 | ||||
| 17 | Nocturnal After John Dowland, Op. 70: I. Musingly -- Julian Bream (320kbps ABR) | 02:16 | N/A | |
| 24 | Nocturnal after John Dowland, Op. 70: VIII. Passacaglia -- Julian Bream (320kbps ABR) | 04:50 | N/A | |
| DISC 19 | ||||
| 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A | |
| 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A | |
| 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A | |
| 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A | |
| 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A | |
| 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A | |
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A | |
| 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A | |
| 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A | |
| 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A | |
| 11 | Six Metamorphoses After Ovid, Op. 49: No. 1, Pan -- Roy Carter (320kbps ABR) | 02:27 | N/A | |
| 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) -- Roy Carter (320kbps ABR) | 01:24 | N/A | |
| 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A | |
| 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A | |
| 15 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) -- Roy Carter (320kbps ABR) | 03:14 | N/A | |
| 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A | |
| 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) -- Alexander Barantschik/John Alley (320kbps ABR) | 00:43 | N/A | |
| 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) -- Alexander Barantschik/John Alley (320kbps ABR) | 02:54 | N/A | |
| 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) -- Alexander Barantschik/John Alley (320kbps ABR) | 03:12 | N/A | |
| 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:39 | N/A | |
| 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) -- Alexander Barantschik/John Alley (320kbps ABR) | 04:30 | N/A | |
| 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) -- Moray Welsh/John Lenehan (320kbps ABR) | 07:53 | N/A | |
| 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:34 | N/A | |
| 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) -- Moray Welsh/John Lenehan (320kbps ABR) | 06:46 | N/A | |
| 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:18 | N/A | |
| 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) -- Moray Welsh/John Lenehan (320kbps ABR) | 02:50 | N/A | |
| 11 | Six Metamorphoses After Ovid, Op. 49: No. 1, Pan -- Roy Carter (320kbps ABR) | 02:27 | N/A | |
| 12 | Six Metamorphoses After Ovid, Op. 49: No. 2, Phaeton. Vivace ritmico -- Roy Carter (320kbps ABR) | 01:24 | N/A | |
| 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) -- Roy Carter (320kbps ABR) | 02:50 | N/A | |
| 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) -- Roy Carter (320kbps ABR) | 01:52 | N/A | |
| 15 | Six Metamorphoses after Ovid, Op. 49: No. 5, Narcissus -- Roy Carter (320kbps ABR) | 03:14 | N/A | |
| 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) -- Roy Carter (320kbps ABR) | 02:33 | N/A | |
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