Trial
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My Name is Richard Einhorn aac: 16bit/44.1kHz (320kbps ABR) | 00:16 | |
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Aria Take 1 aac: 16bit/44.1kHz (320kbps ABR) | 02:59 | |
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"A Great Take" aac: 16bit/44.1kHz (320kbps ABR) | 00:54 | |
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The Recording is a Really Rare Treat aac: 16bit/44.1kHz (320kbps ABR) | 01:03 | |
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"That's the Take Folks" aac: 16bit/44.1kHz (320kbps ABR) | 00:57 | |
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The First Time I Heard Glenn Gould's Name aac: 16bit/44.1kHz (320kbps ABR) | 01:34 | |
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Level Test aac: 16bit/44.1kHz (320kbps ABR) | 00:37 | |
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Glenn Had This Theory he Wanted to do for the Goldberg Variations aac: 16bit/44.1kHz (320kbps ABR) | 01:41 | |
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Wrong Feed - Glenn Gould Recognises Which Take it is aac: 16bit/44.1kHz (320kbps ABR) | 00:52 | |
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Richard, We've Got a Problem aac: 16bit/44.1kHz (320kbps ABR) | 00:33 | |
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Feed with Glenn Playing Along (Remastered) aac: 16bit/44.1kHz (320kbps ABR) | 00:22 | |
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He's Going to Play Quizz Games With You aac: 16bit/44.1kHz (320kbps ABR) | 01:10 | |
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"Hell of a Good Take!" aac: 16bit/44.1kHz (320kbps ABR) | 00:48 | |
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Each Variation Was Some Proportional Tempo of the Preceding Variation aac: 16bit/44.1kHz (320kbps ABR) | 01:12 | |
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"God, that is a silly piece" (Remastered) aac: 16bit/44.1kHz (320kbps ABR) | 01:56 | |
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This is a Prime Example of Glenn Innovating in the Recording Studio aac: 16bit/44.1kHz (320kbps ABR) | 01:42 | |
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Feed with Glenn Playing Chords aac: 16bit/44.1kHz (320kbps ABR) | 00:35 | |
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We Were Still Pretty Much on the Cutting Edge of Digital Recording aac: 16bit/44.1kHz (320kbps ABR) | 03:42 | |
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Problems with Feed - Explanation aac: 16bit/44.1kHz (320kbps ABR) | 01:26 | |
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To Refine a Very Highly Developed and Nuanced Performance aac: 16bit/44.1kHz (320kbps ABR) | 01:58 | |
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"We have to get a Little Level" aac: 16bit/44.1kHz (320kbps ABR) | 00:50 | |
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Glenn Gould's Chair aac: 16bit/44.1kHz (320kbps ABR) | 02:05 | |
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Noisy Chair aac: 16bit/44.1kHz (320kbps ABR) | 00:59 | |
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The Mood in the Studio Was Intensely Focused on Music aac: 16bit/44.1kHz (320kbps ABR) | 00:32 | |
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Discussion aac: 16bit/44.1kHz (320kbps ABR) | 00:41 | |
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He Would Improvise Things That Were Often Not Recorded, But Were Amazing aac: 16bit/44.1kHz (320kbps ABR) | 01:01 | |
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Improvisation on JS Bachs Sarabande aac: 16bit/44.1kHz (320kbps ABR) | 00:34 | |
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His Uncanny Ability to Make People Around Him Feel as Intelligent as He Was aac: 16bit/44.1kHz (320kbps ABR) | 01:39 | |
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Preparation aac: 16bit/44.1kHz (320kbps ABR) | 00:52 | |
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He Could Detect Very Fine Nuances Between Takes aac: 16bit/44.1kHz (320kbps ABR) | 00:35 | |
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Rehearsal aac: 16bit/44.1kHz (320kbps ABR) | 01:10 | |
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Warming Up His Hands in the Sink aac: 16bit/44.1kHz (320kbps ABR) | 00:14 | |
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"Strike that Ladder" aac: 16bit/44.1kHz (320kbps ABR) | 00:27 | |
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The Score he Was Recording From Had Very Few Marks at All aac: 16bit/44.1kHz (320kbps ABR) | 00:38 | |
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Variation 8 Remake Insert Take 6 (7 Attempts) aac: 16bit/44.1kHz (320kbps ABR) | 00:58 | |
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"Okay, Between All These Things..." aac: 16bit/44.1kHz (320kbps ABR) | 00:33 | |
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Basically this is Glenn's Final Testament aac: 16bit/44.1kHz (320kbps ABR) | 00:54 | |
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Aria da capo_Final Edited Version aac: 16bit/44.1kHz (320kbps ABR) | 03:47 |
Listen the trial version of tracks by clicking the circle
Total: 44:46
Note
Due to label constraints, you cannot choose the audio format. The total number of downloads available is 10. Please be aware of this before making your purchase.
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