Bella Musica II : Darkest Before Dawn
| Title | Duration | Price | ||
|---|---|---|---|---|
| 1 |
|
mezzo piano (Darkest Before Dawn Version) alac,flac,wav,aac: 24bit/192kHz | 02:19 | |
| 2 |
|
kinmokusei (Darkest Before Dawn Version) alac,flac,wav,aac: 24bit/192kHz | 06:38 | |
| 3 |
|
Sheratan II alac,flac,wav,aac: 24bit/192kHz | 06:32 | |
| 4 |
|
Porrima (Darkest Before Dawn Version) alac,flac,wav,aac: 24bit/192kHz | 06:15 | |
| 5 |
|
Lacuna (Darkest Before Dawn Version) alac,flac,wav,aac: 24bit/192kHz | 07:41 | |
| 6 |
|
Shizuku alac,flac,wav,aac: 24bit/192kHz | 06:02 | |
| 7 |
|
ame alac,flac,wav,aac: 24bit/192kHz | 06:15 | |
| 8 |
|
AJISAI (Darkest Before Dawn Version) alac,flac,wav,aac: 24bit/192kHz | 05:28 | |
| 9 |
|
Void alac,flac,wav,aac: 24bit/192kHz | 06:05 | |
| 10 |
|
Asia in Dreaming (Darkest Before Dawn Version) alac,flac,wav,aac: 24bit/192kHz | 06:56 |
地面に水が浸み込み滲み出る、あるいは朝焼けの中たち上がる靄のような音楽。
Digital Catalog
美しさと喪失の物語、完結へ。 前作「Fragile」で描かれた、張り詰めた緊張感と繊細な情景。その「Fragile」が崩壊した後、後に残された静かな虚無「Void」をテーマにした続編がここに完成しました。 ピアノとシンセサイザーが織りなす空間は、まるで心にぽっかりと空いた穴のよう。冷たく広がるアンビエントなサウンドスケープの中で、私たちは喪失の深さと、その中に秘められた静かな美しさを見つめます。 これは、すべてが尽きた後に訪れる、内省的な静寂の物語です。
美しさと喪失の物語、完結へ。 前作「Fragile」で描かれた、張り詰めた緊張感と繊細な情景。その「Fragile」が崩壊した後、後に残された静かな虚無「Void」をテーマにした続編がここに完成しました。 ピアノとシンセサイザーが織りなす空間は、まるで心にぽっかりと空いた穴のよう。冷たく広がるアンビエントなサウンドスケープの中で、私たちは喪失の深さと、その中に秘められた静かな美しさを見つめます。 これは、すべてが尽きた後に訪れる、内省的な静寂の物語です。
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
Digital Catalog
美しさと喪失の物語、完結へ。 前作「Fragile」で描かれた、張り詰めた緊張感と繊細な情景。その「Fragile」が崩壊した後、後に残された静かな虚無「Void」をテーマにした続編がここに完成しました。 ピアノとシンセサイザーが織りなす空間は、まるで心にぽっかりと空いた穴のよう。冷たく広がるアンビエントなサウンドスケープの中で、私たちは喪失の深さと、その中に秘められた静かな美しさを見つめます。 これは、すべてが尽きた後に訪れる、内省的な静寂の物語です。
美しさと喪失の物語、完結へ。 前作「Fragile」で描かれた、張り詰めた緊張感と繊細な情景。その「Fragile」が崩壊した後、後に残された静かな虚無「Void」をテーマにした続編がここに完成しました。 ピアノとシンセサイザーが織りなす空間は、まるで心にぽっかりと空いた穴のよう。冷たく広がるアンビエントなサウンドスケープの中で、私たちは喪失の深さと、その中に秘められた静かな美しさを見つめます。 これは、すべてが尽きた後に訪れる、内省的な静寂の物語です。
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.