soundtracks
Audio format: 24bit/192kHz, 24bit/48kHz, 24bit/96kHz
Hi-res
Original release date: 2025-05-12
Total runtime: 62:08
| Title | Duration | Price | ||
|---|---|---|---|---|
| 1 |
|
hanafubuki alac,flac,wav,aac: 24bit/192kHz | 07:42 | |
| 2 |
|
Bella Musica: Dawn (with Soundscapes) alac,flac,wav,aac: 24bit/192kHz | 08:59 | |
| 3 |
|
Alcheringa with Soundscapes (soundtracks Version) alac,flac,wav,aac: 24bit/192kHz | 07:05 | |
| 4 |
|
sakura (soundtracks Version) alac,flac,wav,aac: 24bit/192kHz | 06:11 | |
| 5 |
|
Markab (soundtracks Version) alac,flac,wav,aac: 24bit/192kHz | 05:46 | |
| 6 |
|
Markab endless alac,flac,wav,aac: 24bit/192kHz | 03:47 | |
| 7 |
|
Fragile (soundtracks Version) alac,flac,wav,aac: 24bit/192kHz | 05:53 | |
| 8 |
|
Lethe alac,flac,wav,aac: 24bit/48kHz | 08:15 | |
| 9 |
|
Amnesia alac,flac,wav,aac: 24bit/96kHz | 04:32 | |
| 10 |
|
Oblivion alac,flac,wav,aac: 24bit/48kHz | 03:58 |
アンビエント・ドローン、ネオ・クラシック、ミニマリズム。静寂と音の探求へ。
Digital Catalog
美しさと喪失の物語、完結へ。 前作「Fragile」で描かれた、張り詰めた緊張感と繊細な情景。その「Fragile」が崩壊した後、後に残された静かな虚無「Void」をテーマにした続編がここに完成しました。 ピアノとシンセサイザーが織りなす空間は、まるで心にぽっかりと空いた穴のよう。冷たく広がるアンビエントなサウンドスケープの中で、私たちは喪失の深さと、その中に秘められた静かな美しさを見つめます。 これは、すべてが尽きた後に訪れる、内省的な静寂の物語です。
美しさと喪失の物語、完結へ。 前作「Fragile」で描かれた、張り詰めた緊張感と繊細な情景。その「Fragile」が崩壊した後、後に残された静かな虚無「Void」をテーマにした続編がここに完成しました。 ピアノとシンセサイザーが織りなす空間は、まるで心にぽっかりと空いた穴のよう。冷たく広がるアンビエントなサウンドスケープの中で、私たちは喪失の深さと、その中に秘められた静かな美しさを見つめます。 これは、すべてが尽きた後に訪れる、内省的な静寂の物語です。
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
Digital Catalog
美しさと喪失の物語、完結へ。 前作「Fragile」で描かれた、張り詰めた緊張感と繊細な情景。その「Fragile」が崩壊した後、後に残された静かな虚無「Void」をテーマにした続編がここに完成しました。 ピアノとシンセサイザーが織りなす空間は、まるで心にぽっかりと空いた穴のよう。冷たく広がるアンビエントなサウンドスケープの中で、私たちは喪失の深さと、その中に秘められた静かな美しさを見つめます。 これは、すべてが尽きた後に訪れる、内省的な静寂の物語です。
美しさと喪失の物語、完結へ。 前作「Fragile」で描かれた、張り詰めた緊張感と繊細な情景。その「Fragile」が崩壊した後、後に残された静かな虚無「Void」をテーマにした続編がここに完成しました。 ピアノとシンセサイザーが織りなす空間は、まるで心にぽっかりと空いた穴のよう。冷たく広がるアンビエントなサウンドスケープの中で、私たちは喪失の深さと、その中に秘められた静かな美しさを見つめます。 これは、すべてが尽きた後に訪れる、内省的な静寂の物語です。
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.
My music isn't the kind that I would recommend by saying, 'It's like this, so please listen.' It's more like an accidental encounter. So, how you might feel about it? I can't even begin to predict. Because these pieces were born as if by accident, with a sense of freedom. I hope listeners will also feel free to experience them in their own way.