Trial
| Title | Duration | Price | ||
|---|---|---|---|---|
| DISC 1 | ||||
| 19 | The Tribes of New York aac: 16bit/44.1kHz (320kbps ABR) | 04:34 | N/A | |
| 21 | Rise and Shine aac: 16bit/44.1kHz (320kbps ABR) | 06:10 | N/A | |
| 22 | Mr. And Mrs. People aac: 16bit/44.1kHz (320kbps ABR) | 04:42 | N/A | |
| 24 | I Heard It over the Radio aac: 16bit/44.1kHz (320kbps ABR) | 06:23 | N/A | |
| 25 | P.S. Unless One Has (Blues Connotation No. 2) aac: 16bit/44.1kHz (320kbps ABR) | 05:51 | N/A | |
| 26 | Revolving Doors aac: 16bit/44.1kHz (320kbps ABR) | 04:28 | N/A | |
| 43 | Proof Readers aac: 16bit/44.1kHz (320kbps ABR) | 10:27 | N/A | |
| 44 | W.R.U. aac: 16bit/44.1kHz (320kbps ABR) | 16:27 | N/A | |
| 46 | T & T aac: 16bit/44.1kHz (320kbps ABR) | 04:38 | N/A | |
| 48 | R.P.D.D. aac: 16bit/44.1kHz (320kbps ABR) | 09:40 | N/A | |
| 56 | Abstraction aac: 16bit/44.1kHz (320kbps ABR) | 04:10 | N/A | |
| 57 | Variants on a Theme of Thelonious Monk (Criss-Cross) aac: 16bit/44.1kHz (320kbps ABR) | 15:22 | N/A | |
| The Face of the Bass (320kbps ABR) | - | N/A | ||
| Forerunner (320kbps ABR) | - | N/A | ||
| Free (320kbps ABR) | - | N/A | ||
| The Circle with a Hole in the Middle (320kbps ABR) | - | N/A | ||
| Ramblin' (320kbps ABR) | - | N/A | ||
| Little Symphony (320kbps ABR) | - | N/A | ||
| Kaleidoscope (320kbps ABR) | - | N/A | ||
| P.S. Unless One Has (Blues Connotation) (320kbps ABR) | - | N/A | ||
| Brings Goodness (320kbps ABR) | - | N/A | ||
| Joy of a Toy (320kbps ABR) | - | N/A | ||
| To Us (320kbps ABR) | - | N/A | ||
| Humpty Dumpty (320kbps ABR) | - | N/A | ||
| The Fifth of Beethoven (320kbps ABR) | - | N/A | ||
| Motive for Its Use (320kbps ABR) | - | N/A | ||
| Moon Inhabitants (320kbps ABR) | - | N/A | ||
| The Legend of Bebop (320kbps ABR) | - | N/A | ||
| Some Other (320kbps ABR) | - | N/A | ||
| Embraceable You (320kbps ABR) | - | N/A | ||
| All (320kbps ABR) | - | N/A | ||
| Folk Tale (320kbps ABR) | - | N/A | ||
| Poise (320kbps ABR) | - | N/A | ||
| Beauty Is a Rare Thing (320kbps ABR) | - | N/A | ||
| First Take (320kbps ABR) | - | N/A | ||
| Free Jazz (Pts. 1 & 2) (320kbps ABR) | - | N/A | ||
| Check Up (320kbps ABR) | - | N/A | ||
| C. & D. (320kbps ABR) | - | N/A | ||
| Focus on Sanity (320kbps ABR) | - | N/A | ||
| EOS (320kbps ABR) | - | N/A | ||
| Enfant (320kbps ABR) | - | N/A | ||
| Ecars (320kbps ABR) | - | N/A | ||
| Cross Breeding (320kbps ABR) | - | N/A | ||
| Harlem's Manhattan (320kbps ABR) | - | N/A | ||
| Mapa (320kbps ABR) | - | N/A | ||
| The Alchemy of Scott Lafaro (320kbps ABR) | - | N/A | ||
| Chronology (320kbps ABR) | - | N/A | ||
| Peace (320kbps ABR) | - | N/A | ||
| Congeniality (320kbps ABR) | - | N/A | ||
| Lonely Woman (320kbps ABR) | - | N/A | ||
| Monk and the Nun (320kbps ABR) | - | N/A | ||
| Just for You (320kbps ABR) | - | N/A | ||
| Eventually (320kbps ABR) | - | N/A | ||
| Una Muy Bonita (320kbps ABR) | - | N/A | ||
| Bird Food (320kbps ABR) | - | N/A | ||
| Change of the Century (320kbps ABR) | - | N/A | ||
| Music Always (320kbps ABR) | - | N/A | ||
| 1 | Focus on Sanity aac: 16bit/44.1kHz (320kbps ABR) | 06:51 | N/A | |
| 2 | Chronology aac: 16bit/44.1kHz (320kbps ABR) | 06:03 | N/A | |
| 3 | Peace aac: 16bit/44.1kHz (320kbps ABR) | 09:04 | N/A | |
| 4 | Congeniality aac: 16bit/44.1kHz (320kbps ABR) | 06:47 | N/A | |
| 5 | Lonely Woman aac: 16bit/44.1kHz (320kbps ABR) | 05:02 | N/A | |
| 6 | Monk and the Nun aac: 16bit/44.1kHz (320kbps ABR) | 05:52 | N/A | |
| 7 | Just for You aac: 16bit/44.1kHz (320kbps ABR) | 03:53 | N/A | |
| 8 | Eventually aac: 16bit/44.1kHz (320kbps ABR) | 04:23 | N/A | |
| 9 | Una Muy Bonita aac: 16bit/44.1kHz (320kbps ABR) | 06:02 | N/A | |
| 9 | Una Muy Bonita (320kbps ABR) | 06:02 | N/A | |
| 10 | Bird Food aac: 16bit/44.1kHz (320kbps ABR) | 05:30 | N/A | |
| 10 | Bird Food (320kbps ABR) | 05:25 | N/A | |
| 11 | Change of the Century (320kbps ABR) | 04:41 | N/A | |
| 11 | Change Of The Century aac: 16bit/44.1kHz (320kbps ABR) | 04:44 | N/A | |
| 12 | Music Always (320kbps ABR) | 05:29 | N/A | |
| 12 | Music Always aac: 16bit/44.1kHz (320kbps ABR) | 05:31 | N/A | |
| 13 | The Face of the Bass (320kbps ABR) | 06:53 | N/A | |
| 13 | The Face Of The Bass aac: 16bit/44.1kHz (320kbps ABR) | 06:57 | N/A | |
| 14 | Forerunner aac: 16bit/44.1kHz (320kbps ABR) | 05:15 | N/A | |
| 14 | Forerunner (320kbps ABR) | 05:13 | N/A | |
| 15 | Free (320kbps ABR) | 06:20 | N/A | |
| 15 | Free aac: 16bit/44.1kHz (320kbps ABR) | 06:19 | N/A | |
| 16 | The Circle with a Hole in the Middle aac: 16bit/44.1kHz (320kbps ABR) | 04:53 | N/A | |
| 17 | Ramblin' aac: 16bit/44.1kHz (320kbps ABR) | 06:36 | N/A | |
| 18 | Little Symphony aac: 16bit/44.1kHz (320kbps ABR) | 05:14 | N/A | |
| 20 | Kaleidoscope (320kbps ABR) | 06:34 | N/A | |
| 20 | Kaleidoscope aac: 16bit/44.1kHz (320kbps ABR) | 06:36 | N/A | |
| 23 | P.S. Unless One Has (Blues Connotation) (320kbps ABR) | 05:17 | N/A | |
| 23 | P.S. Unless One Has (Blues Connotation) aac: 16bit/44.1kHz (320kbps ABR) | 05:17 | N/A | |
| 27 | Brings Goodness (320kbps ABR) | 06:38 | N/A | |
| 27 | Brings Goodness aac: 16bit/44.1kHz (320kbps ABR) | 06:39 | N/A | |
| 28 | Joy of a Toy aac: 16bit/44.1kHz (320kbps ABR) | 04:56 | N/A | |
| 29 | To Us aac: 16bit/44.1kHz (320kbps ABR) | 04:36 | N/A | |
| 29 | To Us (320kbps ABR) | 04:32 | N/A | |
| 30 | Humpty Dumpty (320kbps ABR) | 05:21 | N/A | |
| 30 | Humpty Dumpty aac: 16bit/44.1kHz (320kbps ABR) | 05:24 | N/A | |
| 31 | The Fifth of Beethoven aac: 16bit/44.1kHz (320kbps ABR) | 06:37 | N/A | |
| 32 | Motive for Its Use (320kbps ABR) | 05:39 | N/A | |
| 32 | Motive For Its Use aac: 16bit/44.1kHz (320kbps ABR) | 05:41 | N/A | |
| 33 | Moon Inhabitants aac: 16bit/44.1kHz (320kbps ABR) | 04:33 | N/A | |
| 34 | The Legend of Bebop aac: 16bit/44.1kHz (320kbps ABR) | 07:18 | N/A | |
| 35 | Some Other aac: 16bit/44.1kHz (320kbps ABR) | 07:23 | N/A | |
| 35 | Some Other (320kbps ABR) | 07:20 | N/A | |
| 36 | Embraceable You (320kbps ABR) | 04:55 | N/A | |
| 36 | Embraceable You aac: 16bit/44.1kHz (320kbps ABR) | 04:56 | N/A | |
| 37 | All (320kbps ABR) | 04:30 | N/A | |
| 37 | All aac: 16bit/44.1kHz (320kbps ABR) | 04:30 | N/A | |
| 38 | Folk Tale (320kbps ABR) | 04:47 | N/A | |
| 38 | Folk Tale aac: 16bit/44.1kHz (320kbps ABR) | 04:48 | N/A | |
| 39 | Poise aac: 16bit/44.1kHz (320kbps ABR) | 04:38 | N/A | |
| 39 | Poise (320kbps ABR) | 04:37 | N/A | |
| 40 | Beauty Is a Rare Thing (320kbps ABR) | 07:13 | N/A | |
| 40 | Beauty Is A Rare Thing aac: 16bit/44.1kHz (320kbps ABR) | 07:14 | N/A | |
| 41 | First Take aac: 16bit/44.1kHz (320kbps ABR) | 16:56 | N/A | |
| 42 | Free Jazz (Pts. 1 & 2) aac: 16bit/44.1kHz (320kbps ABR) | 37:03 | N/A | |
| 45 | Check Up aac: 16bit/44.1kHz (320kbps ABR) | 10:08 | N/A | |
| 47 | C. & D. aac: 16bit/44.1kHz (320kbps ABR) | 13:12 | N/A | |
| 49 | The Alchemy of Scott Lafaro aac: 16bit/44.1kHz (320kbps ABR) | 09:49 | N/A | |
| 50 | EOS aac: 16bit/44.1kHz (320kbps ABR) | 06:35 | N/A | |
| 51 | Enfant aac: 16bit/44.1kHz (320kbps ABR) | 06:26 | N/A | |
| 52 | Ecars aac: 16bit/44.1kHz (320kbps ABR) | 07:35 | N/A | |
| 53 | Cross Breeding aac: 16bit/44.1kHz (320kbps ABR) | 11:17 | N/A | |
| 54 | Harlem's Manhattan aac: 16bit/44.1kHz (320kbps ABR) | 08:11 | N/A | |
| 55 | Mapa aac: 16bit/44.1kHz (320kbps ABR) | 09:06 | N/A | |
| Eventually (320kbps ABR) | - | N/A | ||
| Lonely Woman (320kbps ABR) | - | N/A | ||
| Ramblin' (320kbps ABR) | - | N/A | ||
| DISC 2 | ||||
| 1 | Focus on Sanity (320kbps ABR) | 06:51 | N/A | |
| 2 | Chronology (320kbps ABR) | 06:07 | N/A | |
| 3 | Peace (320kbps ABR) | 09:04 | N/A | |
| 4 | Congeniality (320kbps ABR) | 06:47 | N/A | |
| 5 | Lonely Woman (320kbps ABR) | 04:59 | N/A | |
| 8 | Eventually (320kbps ABR) | 04:23 | N/A | |
| 17 | Ramblin' (320kbps ABR) | 06:34 | N/A | |
Digital Catalog
フリー・ジャズの先駆者としても知られる、サクソフォニスト、オーネット・コールマン。『The Shape Of Jazz To Come』（1959年）、『Change Of The Century』（1960年）、『Free Jazz』（1961年）、『Ornette On Tenor』（1962年）、『The Art Of The Improvisers』（1970年）、『Twins』（1971年）、『To Whom Who Keeps A Record』（1975年）など、その代名詞とも言える〈ATLANTIC〉リリースの音源を収録。
56 tracks
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フリー・ジャズはここから始まった。ジャズ史上、最重要作品のひとつと称賛された革命児オーネットの初期名盤。
6 tracks
フリー・ジャズはここから始まった。ジャズ史上、最重要作品のひとつと称賛された革命児オーネットの初期名盤。
6 tracks
Collapse
Digital Catalog
フリー・ジャズの先駆者としても知られる、サクソフォニスト、オーネット・コールマン。『The Shape Of Jazz To Come』（1959年）、『Change Of The Century』（1960年）、『Free Jazz』（1961年）、『Ornette On Tenor』（1962年）、『The Art Of The Improvisers』（1970年）、『Twins』（1971年）、『To Whom Who Keeps A Record』（1975年）など、その代名詞とも言える〈ATLANTIC〉リリースの音源を収録。
56 tracks
View More Digital Catalog Collapse
フリー・ジャズはここから始まった。ジャズ史上、最重要作品のひとつと称賛された革命児オーネットの初期名盤。
6 tracks
フリー・ジャズはここから始まった。ジャズ史上、最重要作品のひとつと称賛された革命児オーネットの初期名盤。
6 tracks
Collapse