| Title | Duration | Price | ||
|---|---|---|---|---|
| 1 |
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Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: I. Allegro alac,flac,wav,aac: 24bit/192kHz | 13:27 | |
| 2 |
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Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto alac,flac,wav,aac: 24bit/192kHz | 10:20 | |
| 3 |
|
Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: III. Scherzo. Allegro moderato - Trio alac,flac,wav,aac: 24bit/192kHz | 06:38 | |
| 4 |
|
Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: IV. Allegro moderato alac,flac,wav,aac: 24bit/192kHz | 15:22 | |
| 5 |
|
Ellens Gesang III (Ave Maria!), Op. 52, No. 6, D. 839, "Hymne an die Jungfrau" (Arr. for Violin, Cello and Piano by Tsubaki Trio) alac,flac,wav,aac: 24bit/192kHz | 05:14 | |
| 6 |
|
Winterreise, Op. 89, D. 911: No. 5, Der Lindenbaum (Arr. for Violin, Cello and Piano by Tsubaki Trio) alac,flac,wav,aac: 24bit/192kHz | 04:54 | |
| 7 |
|
Heidenroslein, Op. 3, No. 3, D. 257 (Arr. for Violin, Cello and Piano by Tsubaki Trio) alac,flac,wav,aac: 24bit/192kHz | 01:56 | |
| 8 |
|
Schwanengesang, D. 957: No. 4, Standchen (Serenade) (Arr. for Violin, Cello and Piano by Tsubaki Trio) alac,flac,wav,aac: 24bit/192kHz | 04:23 |
Experience Schubert’s late masterpieces—where the radiance of the soul meets profound melancholy—performed by the Tsubaki Trio.
This album, which houses both a monumental work and a delicate microcosm, represents the most beautiful "present form" of the music the Tsubaki Trio has refined in recent years. By the time the final note fades, you will feel the "present" of these three musicians and the "eternity" of the composer breathing quietly together in the same room.
The latter half of the recording features piano trio arrangements of four of Schubert's best-loved Lieder masterpieces. Here, Schubert’s smiles, joys, sorrows, and prayers speak to the listener through a diverse palette of musical expression. Furthermore, the piano used is the Viennese masterpiece, the Bösendorfer Model 275. Its elegant, mellow resonance and silk-like delicate touch make it the perfect instrument for Schubert, capturing the true dignity of early 19th-century Vienna.
— Koji Shimoda (from the liner notes)
Digital Catalog
Experience Schubert’s late masterpieces—where the radiance of the soul meets profound melancholy—performed by the Tsubaki Trio. This album, which houses both a monumental work and a delicate microcosm, represents the most beautiful "present form" of the music the Tsubaki Trio has refined in recent years. By the time the final note fades, you will feel the "present" of these three musicians and the "eternity" of the composer breathing quietly together in the same room. The latter half of the recording features piano trio arrangements of four of Schubert's best-loved Lieder masterpieces. Here, Schubert’s smiles, joys, sorrows, and prayers speak to the listener through a diverse palette of musical expression. Furthermore, the piano used is the Viennese masterpiece, the Bösendorfer Model 275. Its elegant, mellow resonance and silk-like delicate touch make it the perfect instrument for Schubert, capturing the true dignity of early 19th-century Vienna. — Koji Shimoda (from the liner notes)
Experience Schubert’s late masterpieces—where the radiance of the soul meets profound melancholy—performed by the Tsubaki Trio. This album, which houses both a monumental work and a delicate microcosm, represents the most beautiful "present form" of the music the Tsubaki Trio has refined in recent years. By the time the final note fades, you will feel the "present" of these three musicians and the "eternity" of the composer breathing quietly together in the same room. The latter half of the recording features piano trio arrangements of four of Schubert's best-loved Lieder masterpieces. Here, Schubert’s smiles, joys, sorrows, and prayers speak to the listener through a diverse palette of musical expression. Furthermore, the piano used is the Viennese masterpiece, the Bösendorfer Model 275. Its elegant, mellow resonance and silk-like delicate touch make it the perfect instrument for Schubert, capturing the true dignity of early 19th-century Vienna. — Koji Shimoda (from the liner notes)
Digital Catalog
Experience Schubert’s late masterpieces—where the radiance of the soul meets profound melancholy—performed by the Tsubaki Trio. This album, which houses both a monumental work and a delicate microcosm, represents the most beautiful "present form" of the music the Tsubaki Trio has refined in recent years. By the time the final note fades, you will feel the "present" of these three musicians and the "eternity" of the composer breathing quietly together in the same room. The latter half of the recording features piano trio arrangements of four of Schubert's best-loved Lieder masterpieces. Here, Schubert’s smiles, joys, sorrows, and prayers speak to the listener through a diverse palette of musical expression. Furthermore, the piano used is the Viennese masterpiece, the Bösendorfer Model 275. Its elegant, mellow resonance and silk-like delicate touch make it the perfect instrument for Schubert, capturing the true dignity of early 19th-century Vienna. — Koji Shimoda (from the liner notes)
Experience Schubert’s late masterpieces—where the radiance of the soul meets profound melancholy—performed by the Tsubaki Trio. This album, which houses both a monumental work and a delicate microcosm, represents the most beautiful "present form" of the music the Tsubaki Trio has refined in recent years. By the time the final note fades, you will feel the "present" of these three musicians and the "eternity" of the composer breathing quietly together in the same room. The latter half of the recording features piano trio arrangements of four of Schubert's best-loved Lieder masterpieces. Here, Schubert’s smiles, joys, sorrows, and prayers speak to the listener through a diverse palette of musical expression. Furthermore, the piano used is the Viennese masterpiece, the Bösendorfer Model 275. Its elegant, mellow resonance and silk-like delicate touch make it the perfect instrument for Schubert, capturing the true dignity of early 19th-century Vienna. — Koji Shimoda (from the liner notes)