Trial
| Title | Duration | Price | ||
|---|---|---|---|---|
| DISC 1 | ||||
| 2 | 3 Lieder, Op. 19: No. 3, Ganymed, D. 544 aac: 16bit/44.1kHz (320kbps ABR) | 04:19 | N/A | |
| 3 | Mignon, D. 321 aac: 16bit/44.1kHz (320kbps ABR) | 04:29 | N/A | |
| 4 | Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 2, Lied der Mignon I aac: 16bit/44.1kHz (320kbps ABR) | 03:57 | N/A | |
| 5 | Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 3, Lied der Mignon II aac: 16bit/44.1kHz (320kbps ABR) | 03:28 | N/A | |
| 6 | Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 4, Lied der Mignon III aac: 16bit/44.1kHz (320kbps ABR) | 03:27 | N/A | |
| 7 | Liebhaber in allen Gestalten, D. 558 aac: 16bit/44.1kHz (320kbps ABR) | 02:01 | N/A | |
| 8 | Heidenröslein, Op. 3 No. 3, D. 257 aac: 16bit/44.1kHz (320kbps ABR) | 01:56 | N/A | |
| 9 | 5 Lieder, Op. 5: No. 2, Nähe des Geliebten, D. 162 aac: 16bit/44.1kHz (320kbps ABR) | 03:42 | N/A | |
| 11 | Auf dem Wasser zu singen, Op. 72, D. 774 aac: 16bit/44.1kHz (320kbps ABR) | 03:42 | N/A | |
| 12 | Im Abendrot, D. 799 aac: 16bit/44.1kHz (320kbps ABR) | 04:06 | N/A | |
| 13 | Ständchen, D. 889 aac: 16bit/44.1kHz (320kbps ABR) | 04:20 | N/A | |
| 14 | Du bist die Ruh, Op. 59 No. 3, D. 776 aac: 16bit/44.1kHz (320kbps ABR) | 04:27 | N/A | |
| 15 | Gretchen am Spinnrade, Op. 2, D. 118 aac: 16bit/44.1kHz (320kbps ABR) | 04:16 | N/A | |
| 16 | Gretchen im Zwinger, D. 564 "Gretchens Bitte" aac: 16bit/44.1kHz (320kbps ABR) | 04:11 | N/A | |
| 17 | Der Hirt auf dem Felsen, Op. Posth. 129, D. 965 -- Barbara BonneyGeoffrey ParsonsSharon Kam aac: 16bit/44.1kHz (320kbps ABR) | 11:36 | N/A | |
| Ave Maria, D. 839 (320kbps ABR) | - | N/A | ||
| Die Forelle D550 (320kbps ABR) | - | N/A | ||
| 1 | Ellens Gesang III, D. 839, Op. 52: No. 6 Ave Maria aac: 16bit/44.1kHz (320kbps ABR) | 06:19 | N/A | |
| 10 | Die Forelle D550 aac: 16bit/44.1kHz (320kbps ABR) | 02:21 | N/A | |
| Ave Maria, D. 839 (320kbps ABR) | - | N/A | ||
| Ave Maria, D. 839 (320kbps ABR) | - | N/A | ||
| DISC 2 | ||||
| 1 | Ave Maria, D. 839 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 06:21 | N/A | |
| 10 | Die Forelle D550 (320kbps ABR) | 02:17 | N/A | |
| DISC 3 | ||||
| 1 | Ave Maria, D. 839 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 06:21 | N/A | |
| 10 | Die Forelle D550 (320kbps ABR) | 02:17 | N/A | |
| DISC 4 | ||||
| 1 | Ave Maria, D. 839 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 06:19 | N/A | |
| 10 | Die Forelle D550 (320kbps ABR) | 02:21 | N/A | |
| DISC 5 | ||||
| 1 | Ave Maria, D. 839 (320kbps ABR) | 06:19 | N/A | |
| 10 | Die Forelle D550 (320kbps ABR) | 02:21 | N/A | |
| DISC 6 | ||||
| 1 | Ave Maria, D. 839 (320kbps ABR) | 06:19 | N/A | |
| 10 | Die Forelle D550 (320kbps ABR) | 02:21 | N/A | |
| DISC 7 | ||||
| 1 | Ave Maria, Op. 52 No. 6, D. 839 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 06:19 | N/A | |
| 10 | Die Forelle, Op. 32, D. 550 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 02:21 | N/A | |
| DISC 8 | ||||
| 1 | Ave Maria, Op. 52 No. 6, D. 839 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 06:19 | N/A | |
| 10 | Die Forelle, Op. 32, D. 550 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 02:21 | N/A | |
| DISC 9 | ||||
| 1 | Ave Maria, Op. 52 No. 6, D. 839 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 06:19 | N/A | |
| DISC 10 | ||||
| 1 | Ave Maria, Op. 52 No. 6, D. 839 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 06:19 | N/A | |
| 10 | Die Forelle, Op. 32, D. 550 -- Barbara BonneyGeoffrey Parsons (320kbps ABR) | 02:21 | N/A | |
| DISC 11 | ||||
| 1 | Ave Maria, Op. 52 No. 6, D. 839 (320kbps ABR) | 06:19 | N/A | |
| 10 | Die Forelle, Op. 32, D. 550 (320kbps ABR) | 02:21 | N/A | |
| DISC 12 | ||||
| 1 | Ave Maria, Op. 52 No. 6, D. 839 (320kbps ABR) | 06:19 | N/A | |
| 1 | Ave Maria, Op. 52 No. 6, D. 839 aac: 16bit/44.1kHz (320kbps ABR) | 06:19 | N/A | |
| 10 | Die Forelle, Op. 32, D. 550 aac: 16bit/44.1kHz (320kbps ABR) | 02:21 | N/A | |
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